Blackstar Ht-20mkII - "balance" control/ variable resistor on PCB? :o

Erlend_G

New member
Hello again,

Sorry for making so many threads lately.

I just had a sneek-peak inside the cooling "holes" on the back of my Blackstar HT-20mkII, and I can see two components on the PCB; which I think are variable resistors.

Square metal things, with a plastic "phillips" screwhead on top. One is marked "Bias", and I guess I think what that's for- :)

but the other one says "Balance". :o

(The amp also says there are no user serviceable parts inside, and I don't think I even got a schematic). Blackstar also has no! contact e-mail, just a "FAQ" solution :/.

What do you reckon the "Balance" pot is used for?

just curious :)

-Erlend
 
I won't ever try to bias my amp myself, unless I've studied real hard on the subject; and am 110% sure and confident in what I'm doing.

Right now it's rockin n rolling with the stock tubes. I don't know what brand of tubes are in it- they are hidden behind the back plate, so I'll need to unscrew like 6/8 screws just to have a look.

thanks. :)
 
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Yes, I believe that is the bias balance variable resistor! that guy's site, Rob Robinette, has a ton of great stuff, and is explained pretty well.
reading about how amps work is useful! You can learn how to pull the most out of an amp most easily if you know what it was designed to do, I think.

That guy's site makes me want to build an amp!
​​​​​
 
:) My Blackstar is full of tiny, surface mounted components and chips XD. If one of those ever break, I'd need to put the print under a microscope to fix it :p.

I was saving up for something a'la a PTP Princeton Reverb, but the gosh-darn meth head neighbors stole all my savings. (Don't ask how. :/ )

But the Blackstar does an amazing job, for such a budget price! :o I just wish it had a real spring reverb. I'm gonna put a Danelectro "spring king" in the effects loop, just to give the reverb some life. :).

I'm gonna keep it until I win the lottery, or i for some reason have to replace it.

-Erl
 
My bugera v22 also looks like I would not ever try to fix anything that breaks
Hopefully these things last until we can afford better amps lol
 
My bugera v22 also looks like I would not ever try to fix anything that breaks
Hopefully these things last until we can afford better amps lol

Yeah, I like this little "budget" booger :). If it had a real spring reverb.- it'd be twice the value...

I don't want to call it a poor amp at all- it has tubes; a dynamic OD channel- and even an USB port, lol! :).
 
Printed Circuit Boards are cheap to produce so that's why manufacturers use them. However, the problem is the heat producing components and pots often fail rendering the amp useless. Manufacturers could save a lot of money and make their amps a lot more reliable and serviceable by mounting the pots, transformers and tube sockets on the chassis and connect them to the circuit boards via Molex connectors like a desktop PC. If something breaks unscrew the board from the chassis standoffs, unplug the color coded connectors and replace the board. If they did that they could make amps a lot more modular, scalable, reliable, easy to service and economical. Designing and producing a different circuit board, and chassis for each amplifier in your line is wasteful and modularity could make it easier.
 
Printed Circuit Boards are cheap to produce so that's why manufacturers use them. However, the problem is the heat producing components and pots often fail rendering the amp useless. Manufacturers could save a lot of money and make their amps a lot more reliable and serviceable by mounting the pots, transformers and tube sockets on the chassis and connect them to the circuit boards via Molex connectors like a desktop PC. If something breaks unscrew the board from the chassis standoffs, unplug the color coded connectors and replace the board. If they did that they could make amps a lot more modular, scalable, reliable, easy to service and economical. Designing and producing a different circuit board, and chassis for each amplifier in your line is wasteful and modularity could make it easier.

You'd think as Homo Sapiens we would have gotten past board-mounted tube sockets etc by now but I guess there will always be a whole class of buyers not concerned about reliability (or who don't know that they need to be concerned so much, or what affects reliability).

I AM glad they make these things affordable! But looking forward to something that doesn't scare me to play it for 4 hours straight a few times a week
I have a feeling it wasn't meant for that lol xD
 
Printed Circuit Boards are cheap to produce so that's why manufacturers use them. However, the problem is the heat producing components and pots often fail rendering the amp useless. Manufacturers could save a lot of money and make their amps a lot more reliable and serviceable by mounting the pots, transformers and tube sockets on the chassis and connect them to the circuit boards via Molex connectors like a desktop PC. If something breaks unscrew the board from the chassis standoffs, unplug the color coded connectors and replace the board. If they did that they could make amps a lot more modular, scalable, reliable, easy to service and economical. Designing and producing a different circuit board, and chassis for each amplifier in your line is wasteful and modularity could make it easier.

I was reading somewhere on the internet, most common choice of flame retardant for PCB is FR4. Is it because they are less expensive? or it is because FR4 is easy to place between conductive layers in the PCB.

Source: https://en.wikipedia.org/wiki/Printed_circuit_board
Article I was reading can be found here: https://www.derf.com/printed-circuit-boards-overview-and-explanation/
 
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You'd think as Homo Sapiens we would have gotten past board-mounted tube sockets etc by now but I guess there will always be a whole class of buyers not concerned about reliability (or who don't know that they need to be concerned so much, or what affects reliability).

I AM glad they make these things affordable! But looking forward to something that doesn't scare me to play it for 4 hours straight a few times a week
I have a feeling it wasn't meant for that lol xD

Gotten past.......the whole manufacturing movement has been moving inexorably toward that more and more.

Its never the playing that is the issue.....its the transport and the associated jolting. I mean tubes themselves are much more prone to issue than the sockets.....and most people have no issue with treating PTP or turretboard tubed gear with the required respect just based on that aspect.
The crystal like fragility of these things is the myth that refuses to die.
 
Printed Circuit Boards are cheap to produce so that's why manufacturers use them. However, the problem is the heat producing components and pots often fail rendering the amp useless. Manufacturers could save a lot of money and make their amps a lot more reliable and serviceable by mounting the pots, transformers and tube sockets on the chassis and connect them to the circuit boards via Molex connectors like a desktop PC. If something breaks unscrew the board from the chassis standoffs, unplug the color coded connectors and replace the board. If they did that they could make amps a lot more modular, scalable, reliable, easy to service and economical. Designing and producing a different circuit board, and chassis for each amplifier in your line is wasteful and modularity could make it easier.

but then why would folks buy new amps
its a business of amp making not repairing
 
Gotten past.......the whole manufacturing movement has been moving inexorably toward that more and more.

Its never the playing that is the issue.....its the transport and the associated jolting. I mean tubes themselves are much more prone to issue than the sockets.....and most people have no issue with treating PTP or turretboard tubed gear with the required respect just based on that aspect.
The crystal like fragility of these things is the myth that refuses to die.

I'm talking about board mounting being a problem because of heat from the tube dissipating through the rest of the board instead of the chassis
I'm talking heat related failure modes that's all I care about with board mounting the sockets.
 
This amplifier, being so cheap it actually is- I actually think it will break down and become un-repairable at some time. :/

But, it sounds allright. A spring reverb would increase the tonal quality and value LOADS; (if you ask me)- also it's very bassy, with no "mid spike"- so it's not very loud either.

(unless you put an EQ in the effects loop, remove the bass, and give it some high mids).

I'll have to live with it, until the day I win the lottery ;). Main concern these days, is the onboard reverb; that sounds dead and lifeless.

I've got a pedal, (EHX Allied Overdrive) with 3-band EQ, and dial in more mids for OD sounds.


It's called a "20 watt" amp- but it has only 2xEL84's. AFAIK it's most likely to output around 15 watts. Still- it's too loud cranked (or getting power amp compression), for apartment use. Even with the "2-watt" switch in. And the amp sounds completely different when turned up, like "Dr. Jekyll and Mr. Hyde"-

one of the best sounds I've ever had, was on the clean channel, master volume cranked, no reverb.... it was "the" sound :D. A relevation for me, who never owned a tube amp before.

...

I've looked at real, outboard spring reverb tanks, but they cost the same as a used Fender tube combo. I wonder if the TC Electronics Hall of Fame reverb, though digital, will improve my sound enough, that it's worth buying. I play alot of ambient, calm music- ballads and so on...

I also need a new pair of preamp, and maybe output tubes. I've noticed tube microphonics, at the same time I've lost like 25% of my preamp gain. I guess one of the preamp tubes are faulty.

Great amp for the buck; but I wish it had a real spring reverb. And more mids on tap. ;)

My next amp is gonna be a Vox MIni5 Rhythm, the small battery powered thing, you can carry in a backpack. I'll use it both as a practice amp, a headphone device, and amp/reverb simulation for recording.

Rock on! ♪

Erlend
 
...


It's called a "20 watt" amp- but it has only 2xEL84's. AFAIK it's most likely to output around 15 watts. Still- it's too loud cranked (or getting power amp compression), for apartment use. Even with the "2-watt" switch in. And the amp sounds completely different when turned up, like "Dr. Jekyll and Mr. Hyde"-


...



I also need a new pair of preamp, and maybe output tubes. I've noticed tube microphonics, at the same time I've lost like 25% of my preamp gain. I guess one of the preamp tubes are faulty.

...

Rock on! ♪

Erlend

Maximum power dissipation for an EL84 is ~12.5 watts.

I have several amps which push that limit and they are definitely hard on their EL84's. When I was rehearsing and gigging weekly, EL84's were by far my most frequently replaced tubes.

So one positive, you are saving some money by not cranking that amp up.
 
Hehe ;). Okay. I was misinformed, since I had read, that maximum output for an EL84 was 8,6 watts. Thank you for correcting me!

I love the sound, when the power amp starts adding additional harmonics, shimmer, warmth and compression- just before breakup. Also I love the tone of the amp cranked, even cranked with a bit of boost. (It starts to get square-wave , splattery and fuzz like. Don't know if it's really "good for the amp", but it sounds a million bucks).

I was originally after an Ampeg combo, a 6V6 amp with spring reverb, and switchable 15w/7,5w power. But Ampeg only made that amp a short time, then discontinued it-
when I had saved enough money, it was nowhere to be bought. It sounded ... 1000 times better than my Blackstar, from youtube clips. Can't even compare. But hey, the Blackstar does make a sound, and it's (to my ears) tons better, than any solid state or modeling amp. :).

If I ever get the money, I'll get a PTP wired Princeton Reverb clone. But I'll survive with the Blackstar so long. Takes some time to learn how to adjust my EHX Allied Overdrive pedal- even minute changes to gain, volume, blend and EQ- gives a really different sound. I often leave it on, all the time... when I turn it off, I'm left with a... distant, scooped, wierd tone! ;). hehe.

 
Hehe ;). Okay. I was misinformed, since I had read, that maximum output for an EL84 was 8,6 watts. Thank you for correcting me!




Nahhh, you're good. 8.6 watts is very practical as it's much easier on the tubes. My 50 watts (4 x EL84) have fans inside so they can do that, but they still burn up the EL84's crazy fast.
 
I have considered getting one of those small attuentators, that you mount inside the cabinet of a combo amp. So that I can get a cranked tone, at recording volumes.

There's this small model, with holes for screwing it onto the amplifier, inside where the speaker is.

...money is the issue as always ;).
 
...also, tube wear is a slight issue. My economy is now organized- so that every penny goes to pay old debt and bills; and I have only enough to feed myself, if I buy cheap meals.

So, having to change tubes all of a sudden, would set me back. In worst case, I would be amp-less until I saved up. I guess I'd buy a replacement pair, while I still got my savings :).
 
I have stopped looking for cranked tone at bedroom volumes because too much of it is the speaker and cab being loud, so I've told myself to just be satisfied with the sounds I can get and know that I sound much better when louder.
Attenuation can help a little but will completely feel stiff and sound thin unless you get some volume.
I would definitely get a backup power tube set though When you notice the bass notes on the clean channel get distorted you know a tube is just about dead.
or I replace them if they are ringing loudly
 
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