No offense to you or the author, but anyone who doesn't put Pink Floyd's Roger Waters' Money on a list of ten most recognizable bass lines is completely daft. The author needs to distinguish between his favorites, which he included in his list of ten, and most recognizable, which is what he put in the title.
And yes, I know I sound like a jerk, but honestly there is no jerkiness intended.
My list of ten most recognizable bass lines would include songs like these. They are not necessarily my favorites, but they are songs with bass lines which, when heard, can be instantly recognized as one song and cannot be mistaken for any other song. I may be wrong in my assessment of some of them, and there certainly might be more iconic songs that would go better on this list, but these are more relevant to the idea of being recognizable than the list in the blog.
Money ------------------- Pink Floyd
Come Together ----------- Beatles
Roundabout -------------- Yes
YYZ ---------------------- Rush
Dazed and Confused ------- Led Zep
Dirty Creature ------------- Split Enz
Stranglehold -------------- Ted Nugent
Crossroads ---------------- Cream
Carry On My Wayward Son -- Kansas
Another One Bites the Dust -- Queen
Well, at least you didn't call me a moron.
But I think we might be dealing with different ideas of what constitutes recognizable. People may not listen to Pink Floyd, but many of those people have heard the same bass line in a TV commercial. People don't have to be able to identify the artist or even the song to be able to identify the bass line. If they hear a commercial and think to themselves, "oh, that's that song!", it counts as being recognized IMO.
Regarding the question of which version of a song is more recognizable (good question, by the way), I suppose the answer in this context depends on the bass line, how unique it is, and how much if at all it was changed or adapted. If there are two or three different versions of a song, or even two or three different songs that share the same unique bass line, it would still count as the same bass line. And the more variants there are of songs that include include the same bass line, the more recognizable that bass line will tend to be.
I hate how everyone in the comment section of the blog is like "WHAT ABOUT THIS SONG THOUGH?!?!? I CAN'T BELIEVE THIS!" The dude had every music genre in the world to work with and only 10 numbers. Give him a break. Hell Rolling Stone puts out lists with 100 positions to fill and people still complain.
I mean my list would be similar to Blue Talon's too but I'm aware I am not the arbiter of all basslines. And it's not like these basslines are really obscure or anything or confined to one BS genre even though the title of the list didn't specify.
I'm looking at this from a "brand" point of view. For something like the bassline to "Super Freak" that gets sampled into "U Can't Touch This," the original brand becomes diluted because now you have people that will associate that bassline with the latter, and not the former. And then what happens when the sampled song becomes more famous than the original? I had a couple people on Facebook mention that I should've used the intro to "Nothin' But a G Thang," and not the lesser known original "I Wanna Do Something Freaky to You."
Thanks, a lot of those comments are just funny, although I will admit a couple of more calm responses made some solid choices.
The whole intent of the Top Ten lists I put out was to hopefully get the readers to listen to something that they might not normally and ask themselves, "Now, why is this included?" I got a TON of angry responses to the "Top Ten: Bass Players You Should Listen To" citing that I left out Steve Harris, Cliff Burton, *insert your favorite bassist here*, when I specifically stated that they were artists you probably haven't heard of, and that was the point. Most people I think just see a list and skim it to see if their favorites were on there, without reading any rationale behind it.
Rick Nelson said:You can't please everyone, so you got to please yourself.
Then I realized most would recognize that bassline as just the MTV news theme and not the actual song.
I was gonna mention Peace Sells too until he said
"I'm looking at this from a 'brand' point of view. For something like the bassline to 'Super Freak' that gets sampled into 'U Can't Touch This,' the original brand becomes diluted because now you have people that will associate that bassline with the latter, and not the former. And then what happens when the sampled song becomes more famous than the original? I had a couple people on Facebook mention that I should've used the intro to 'Nothin' But a G Thang,' and not the lesser known original 'I Wanna Do Something Freaky to You.'"
Then I realized most would recognize that bassline as just the MTV news theme and not the actual song.
Which would make the bass line itself recognizable to a lot more people than just those who are familiar with either song. Which is how I interpreted "recognizable bass line" when I first saw the title.
I was gonna mention Peace Sells too until he said
"I'm looking at this from a 'brand' point of view. For something like the bassline to 'Super Freak' that gets sampled into 'U Can't Touch This,' the original brand becomes diluted because now you have people that will associate that bassline with the latter, and not the former. And then what happens when the sampled song becomes more famous than the original? I had a couple people on Facebook mention that I should've used the intro to 'Nothin' But a G Thang,' and not the lesser known original 'I Wanna Do Something Freaky to You.'"
Then I realized most would recognize that bassline as just the MTV news theme and not the actual song.