Re: Blues: Clean or dirty?
Since Artie asked me this in a PM, I'll give you random parts of my responses:
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I like it on the edge a little
but I like it fatter, like Buddy Whittington more than clean like Robert Cray, although he's a fine player
I like Coco Montoya's tone a lot, too, and saw him a few years ago in a little blues joint down the street from me.
I was weaned on LP/ Marshall tone, like all the Bluesbreaker stuff, and Bloomfield's cleaner tone through Fender's
I've been listening to Sonny Landreth's new live disc, and although he's not a blues player, per se, he has an awesome tone with his Dumble/ Matchless combo - another one with some of my favorite tone
I usually listen to the performance as much as the tone, but it seems like most of the good ones feed off of a good tone ... maybe that's one reason I like blues ..
John Mayall's "Best of the Bluesbreakers" on Silvertone (the newer stuff) has a bunch of good tone from Buddy Whittington and Coco Montoya, BTW.
the amp is kinda key, though
would you say BB King is a blues player?
dumb question, right?
yet, if you listen to his tone very carefully, he really plays with a clean tone, at least on his albums - I've seen him RIP live, and it surprised me!
most of the cats in his band have jazz backgrounds, too
Luther Allison, who was probably a contempory of Bloomfield's in Chicago, usually has a pretty dirty tone - I see him pictured with LP Classics often
then you got the juke joint cats like Houndog Taylor, who are playing something like Teiscos through a Silvertone, and they just have a cheap NASTY tone
haha, I love old Silvertone amps! cheap, undersized trannys, good but underpowered Jensens, cardboard boxes .... perfect blues tone!
I've said a few times, I like the idea of playing with something like a Fender amp and good class A together - that's what Robert Cray does, and kinda what Sonny Landreth does in a way ... those amps both have their own characteristic clean & dirty tone, and I think they compliment each other.