Very cool man!
Now we just need to buy you ticket for a time travel back to the Woodstock in the late 60s so you can rock the stage.![]()
That's gonna rock Geoff! I hope you can record the gigs and maybe put out a live package - iTunes perhaps?
We will definitely be recording the gigs, but releasing it would be a copyright nightmare. I will certainly be sneaking a few tracks on here and some video on YouTube.
Cheers..................................... Geoff.
Hehe....I'd really like that! I'm actually creating my own little time capsule, back to the years from 1965-1975, with my new project called The Geoff Wells Experiment! Our first gig is on October 8th here in Melbourne, and the repertoire is some of my favorite songs from that era, including stuff from Deep Purple, Led Zeppelin, Free and Jeff Beck...you're all invited, of course! Australia's not that far away! The good people at Seymour Duncan Australia and Dominant Music, the Australian Seymour Duncan distributor, are presenting the shows...I can't wait!
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Cheers....................................... wahwah
Wow. well Mr. Wells.... it's my eldest sons 17th birthday on the 15th and my partner Jane's birthday on the 29th, so I'm charging the tickets to YOU and really look forward to rocking with ya then!!
Oh yeah, I loved the clip, I actually thought the fuzzy sound was great... All the best. Don.:friday:
Hehe....I'd really like that! I'm actually creating my own little time capsule, back to the years from 1965-1975, with my new project called The Geoff Wells Experiment! Our first gig is on October 8th here in Melbourne, and the repertoire is some of my favorite songs from that era, including stuff from Deep Purple, Led Zeppelin, Free and Jeff Beck...you're all invited, of course! Australia's not that far away! The good people at Seymour Duncan Australia and Dominant Music, the Australian Seymour Duncan distributor, are presenting the shows...I can't wait!
Cheers....................................... wahwah
Cool! I will definitely be visiting Australia sometime, and when I do, I hope I can sync it up with some sort of show you'll be doing. Unless you're rocking out in Wembley or something..
We will definitely be recording the gigs, but releasing it would be a copyright nightmare. I will certainly be sneaking a few tracks on here and some video on YouTube.
I'm not sure how the laws work over there, but in the States you can get rights to a cover song for "limited distribution" w/o a lot of expense. The "limited" part of it is that you're held to 1000 copies and they say its for "demo" purposes, but I know a band that paid for a few Beatles tunes on an EP and it really wasn't that much money. Want to say it was a little over $100 usd for 3 songs? That was several years ago... there are ways around it.
Anywhoo, Geoff ~ Since you're primarily a strat player, how do you deal with the vibe/fuzz 'identity crisis' that comes along with those pieces? Not being a strat player myself, when I pick one up it's too easy to engage autopilot and hit all the stock Jimi/Stevie licks... adding a fuzz/vibe makes it worse. Hard to avoid that vocabulary since it's burned into my head!!! I just can't help but feel 'my' identity is gone with the Strat/fuzz/vibe setup... any tips?
Man now it sounds straight out of the late 60s now....
Like both versions......totally dig the dirty non polished edge to these things!
You know what, I have a lot more fun just succumbing to it! There's so much beauty in what the likes of Jimi, Trower and Stevie did with a Strat that I thoroughly enjoy just getting swept up in it and paying homage to it, and letting things like a vibe and a fuzz just take me there. I don't feel that these things are a threat to my identity through the instrument, because the truth is that all of those players, and many others, are already amalgamated into my own playing in the form of influences. I'm happy to celebrate that, safe in the knowledge that my own voice will still come through the instrument when it's time to stand alone and play from the heart. I feel confident that I can still play straight through those effects and that they will follow my voice, but there's a lot to be learned and a lot of beauty to be enjoyed in getting inside what some of the masters did and really studying it by emulating it. These things can then be incorporated into our own playing and will add depth to it.