Re: Cable trouble...?!!
Stringmachine said:
I've tried several wireless systems. Everyone I've tried alter the sound too much for my liking (systems up to $ 800-900 in Norway). I don't play venues that big either!
Another consideration with wireless systems is safety. In places with dodgy electrical grounds or if something goes whacko in your amp, a wireless keeps you from getting a nasty shock ... or worse.
Back to the original topic...
IMO, the biggest tonal difference is found in between your guitar and the first buffer/gain stage. The high impedance signals there are very sensitive to the capacitance of the cables (connectors and jacks, too). I have some oxygen free, low capacitance, yadda yadda cables and they
do sound different from my Live Wires: much more "present" sound. I'm not certain that I actually prefer the sound with those "high fidelity' cables but they're definitely different.
I'll use just about any reasonably reliable cable in the FX loop and will use any reliable cable for speakers. A lot of folks swear that zip wire (i.e., lamp cord) is as good as anything for cablling guitar speakers. Given the catastrophic damage that a tube amp can sustain in the event of an open circuit, I'm probably more interested in the connectors' reliability as any esoteric properties of speaker cable.
Speaking of connectors, they influence tone as well by adding capacitance to the circuit. As I mentioned earlier, this has the greatest effect in the high-impedance part of your signal chain.
Live Wires are my standard guitar cables. They're reasonably priced, have a lifetime guarantee and, unlike some other guaranteed cables, they actually are long-lived. I have a few cables that I've been using for well over 20 years. I bought 'em in high school, gigged 'em in college, dragged 'em around to a bunch of basement jams and they still sound and work great. They roll off some treble relative to my audiofool cable but that's not necessarily a bad thing.
Remember, there are folks that believe that the cheapo curly cables were a significant component in the tone of SRV and Hendrix.