Can A Plexi Do Van Halen Tone?
- Thread starter LLL
- Start date
:lol:
NegativeEase
New member
Damn, sounds spot on.
I appreciate you hitting eject button before 5150 album. As those are not Van Halen records. 3,2,1.....
I appreciate you hitting eject button before 5150 album. As those are not Van Halen records. 3,2,1.....
devastone
New member
Sounds awesome as usual LLL.
I am an OG VH fan, that said, there were some decent Van Hagar albums, 5150 was not one of those IMHO. Strangely in later interviews (I just finished reading Eruption) Ed said he didn't like the tones on the first VH albums. To many of us they are still near the pinnacle of heavy guitar tones.
I am an OG VH fan, that said, there were some decent Van Hagar albums, 5150 was not one of those IMHO. Strangely in later interviews (I just finished reading Eruption) Ed said he didn't like the tones on the first VH albums. To many of us they are still near the pinnacle of heavy guitar tones.
NegativeEase
New member
Hey D, Give me an example of some favorite Hagar era tones, as much as I joke about Hagar -I haven't really listened to anything past a singles on 5150
devastone
New member
Sorry for the OT...
Very different tones than OG VH, but I find these listenable:
https://youtu.be/L-eR35VoDOg
https://youtu.be/o1GJxVmYv-E
https://youtu.be/OLcNAwuxV4U
Very different tones than OG VH, but I find these listenable:
https://youtu.be/L-eR35VoDOg
https://youtu.be/o1GJxVmYv-E
https://youtu.be/OLcNAwuxV4U
NegativeEase
New member
Yeah, not bad but not my favorite -EVH's tone tends to have a warm mellow sheen of modulation encasing the guitar and amp sound on the first 2 examples -very of that time.
I had heard the Poundcake one before -thats a total DLH style song without DLH -so they were still doing some of that with Hagar which is fun...
Whats interesting to me is I much much much prefer that later 1995 Seventh Sign tone you posted where some of the warm mod sheen is taken away and the life of the amp is more present over the earlier 1991 stuff you posted....
I had heard the Poundcake one before -thats a total DLH style song without DLH -so they were still doing some of that with Hagar which is fun...
Whats interesting to me is I much much much prefer that later 1995 Seventh Sign tone you posted where some of the warm mod sheen is taken away and the life of the amp is more present over the earlier 1991 stuff you posted....
devastone
New member
I agree on the sheen, I like SS the best of those examples. Kind of like Extreme's Pornograffiti, I loved that when it came out, now when I listen to it it sounds too "glossy" and 80s, I prefer the somewhat rawer production on III Sides, and the very raw Waiting for the Punchline tones are my favorite, but they are a totally different sound for Nuno so harder to make a direct comparison.
Who's DLH? David Lee Harvey?
Again, I'm getting way OT (like that ever happens here), LLL's original tones in this thread are killer.
Who's DLH? David Lee Harvey?
Again, I'm getting way OT (like that ever happens here), LLL's original tones in this thread are killer.
LLL
New member
That's Eventide.
Ed was an early adopter of the Eventide. Definitely some on the 2nd album, and possibly 1st.
The Eventide H910 came out in 1975.
LLL
New member
David Lee Harvey Oswald Roth.
devastone
New member
I think NE was talking about the Van Hagar clips, they have more "glossy" production than the first 4 albums, not just the harmonizer. I'm not a fan of a lot of the 80s (over-)production now, it sounds dated to me. VH didn't really suffer from that until the early Hagar stuff, but it still wasn't as bad as a lot from that era.
I didn't think he used the Eventide until the Hagar years, but apparently I'm wrong, I didn't know they came out in the 70s. And yes, apparently Ed loved it, but I don't think that's the "sheen" we are talking about.
Pete gives a little history on Ed's use in this video - https://youtu.be/XjNBlCKCF9Y
Last edited:
NegativeEase
New member
Yeah, you are right Devastone -referring to your later examples of EVH in the links -not LLL's early EVH stuff -which I dug all of those tones.
super familiar with Eventide sound of early and I like it and live an die Eventide when working.
It's that extra warm sort of modulation wrapping around the later tones (those first 2 examples Devastone posted) that I'm not the biggest fan of .... but the 1995 tone clip I dig again,
LLL
New member
Maybe, but you can get spot-on "brown sound" (an actual misnomer) with a Gorilla amp, distortion box and delay.
At least, that's what I read on the internetz...
ErikH
Well-known member
Cool clips. Got the vibe.
On 5150, the old Marshall Superlead was starting to go out. And he was using EMG's a lot on that record thanks to the Steinberger guitar. OU812 managed to get some work out of the old SL but was mostly JCM 800's. Then the Soldano SLO from For Unlawful Carnal Knowledge until the 5150 amps on that tour. By the time Balance came out, the SL had a once-over and was brought back to life and used on the record. Seventh Seal is the SL as is Big Fat Money, if I'm not mistaken.
On 5150, the old Marshall Superlead was starting to go out. And he was using EMG's a lot on that record thanks to the Steinberger guitar. OU812 managed to get some work out of the old SL but was mostly JCM 800's. Then the Soldano SLO from For Unlawful Carnal Knowledge until the 5150 amps on that tour. By the time Balance came out, the SL had a once-over and was brought back to life and used on the record. Seventh Seal is the SL as is Big Fat Money, if I'm not mistaken.
LLL
New member
I did, except the added Eventide on U and WIL.
mutt strat w SH-5
|
Badgerplex Trilogy (EP-3 preamp)
|
Plexi on 9
|
Suhr Reactive Load
|
DAW
Greenback iRs, UAD EMT 140 (with decent amount of predelay), UAD EP-34 (echoplex), Pultec EQ, etc...
RolanTHUNDER
New member
Sounds great man! Well dialed in! Yeah the classic Plexi did do classic VH1 and 2 tone. You played all the riffs spot on and the delay on Ain't Talkin' was just right too.
Last edited:
