All those differences can be attributed to a higher wind which begs the question, are there differences in material quality or are they just adding a few hundred ohms and charging way more for that.
Great thread, thanks ! Based on the descriptions I have always read about smooth vs rough, I can see how a rough A2 would be a big part of the difference and I would bet would get my production PGs to sound like i want. They're close, but the mids are a bit thin, treble a bit much, and it could just use a smoother more sustaining tone. That sounds like roughcast compared to they are now, and i'm talking just a BIT more like that, nothing huge at all. They're almost there as they are but a tiny bit bigger smoother mids and slightly less or more rounded treble would be perfect. I wonder if roughcast bars would get me there. On the other hand it could potentially ruin the open transparent tone they have as they are now.
I actually had one in my Road Worn Strat and I found it kinda blunt for being a vintage output pickup.
I assume it could've been either 250K pots (don't even remember what pot values guitar came with originally) or that guitar just being blunt-sounding from having the bridge pickup so far away from the bridge itself.