Re: can you use a condenser to close mic amp?
Over the years, I've found that in a close mic setup, a dynamic mic gets you the best reproduction (SM57's or 58's shine in that aspect). However (and you knew there'd be a "however", didn't you?), I have managed to capture really nice guitar tones with a small condenser mic that Shure made in the 80's called a Prologue (I don't even think they're made anymore, though I might be wrong, looks like a mag light) and AKG makes an absolutely dynamite small condenser in the C1000S, and it's tough to fault the capabilities of the newer KSM series of Shure mics or AT condensers. The thing is, you don't want to put a condenser mic anywhere that you wouldn't want to put your own ear (they just can't handle the sound pressure), so you can rule out placing one in front of a screaming Marshall.
If you have only one mic but want to add some depth, you can try using a DI box and mixing the two tones. It takes a little bit longer for the sound to get to the recorder via the mic via the speaker as opposed to getting it there via cable (Don't ask me the exact amount--it's something like 1 millisecond per foot (we're talking speaker to mic here), so that will give you a little bit of depth, though it seems to be more pronounced with bass. Or, you can use the DI as your main signal and use the other mic as a room mic to give you even more depth. There are no right answers, but these are things that I've had some luck with over the last 20 years. Hope that helps.