I would be more inclined to try a A2PN or a PGN in the neck position.
Roughly 3.5k I believe, (though resistance is not output) as parallel is half the resistance of one coil as opposed to 2x in series. The difference in output is generally not tremendous. Noticeable, yes, but not huge.Guitar is loaded with Floyd and is bright.
Will try wired with on/on/on switch.
Tried a A2P, not enuff output for me.
If series is 14K, how much will parallel be??
If an A2P didn't have enough output, then don't bother with a CC in parallel or coil split because both will be weaker and brighter than the A2P.
This. I switch the JAZZ between Parallel and Series. A good diff in tone, and there is a drop of output and more high end when in parallel. But the tone is still huge and not weak buy any means.Well, not necessarily. While the resistance is cut quite dramatically when in parallel, the output is not. Even in parallel it is a huge sound in the neck.
It's very simple to wire it up so you can switch back and forth between series and parallel so you can see for yourself if it is a sound that you like/are looking for.
Hamer used to ship some guitar models with a Custom in the neck and the Custom Custom in the bridge. I imagine that a CC would sound horrible in series in the neck, but if you're putting in in yourself, it's easy to try it both ways.
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Austin
A fiend of mine has CC in the neck of his superstrat (with JB in the bridge). He had been looking for warm sounding neck pickup. After tried all Duncan neck pickups (he's a SD seller so he has almost all SD models, new and used), he seems happy with CC in the neck. I haven't heard how it sounds myself though. It might work for 24 fretter but for 22 fret guitar, I doubt it.
Ahhh, there is the key..." a fiend of mine".
For the OP, here is a demo of that guitar, the Hamer Monaco Elite, with a CC in the bridge and a custom in the neck. Sounds like they balance pretty well.