L
Lewguitar
Guest
Re: Celestion Greenback vs Vintage 30
I like Greenbacks in a closed back 4 x 12 Marshall bottom, although I find them a little lacking in bass in an open back cab. They sound fine in a 4 x 12 Marshall bottom. Very crunchy and chunky...kind of like the sound of a big knife slicing through a head of lettuce.
I prefer Vintage 30's, G12H30's and G12-65's to Greenbacks, but all four are toneful as all get out and all four are among the very best guitar speakers ever created and any player with good technique should be able to get a great tone out of any of those speakers.
Players who say the Vintage 30 sounds horrible, grating, thin, to trebley, to bright, etc. are probably hearing the true sound of their own playing and touch, and probably need to learn how to use the tone controls of their amp properly and probably also need to practice more at creating and shaping a beautiful tone with their hands. Maybe they need to practice more without even plugging into an amp and work more on coordinating their picking, finger placement and vibrato and shaping the note with their own two hands, because, IMO, what they are hearing is the sound of their own inability to play smoothly and to get a fat warm tone with their own touch and technique.
Vintage 30's do seem to have a little less midrange crunch and thickness to the mids than Greenbacks, G12H30's, G12-65's etc., but none the less, there are zillions of great players who get great tones out of Vintage 30's. If a player can't get a good and acceptable tone out of the Vintage 30 it isn't the speaker's fault.
Lew
I like Greenbacks in a closed back 4 x 12 Marshall bottom, although I find them a little lacking in bass in an open back cab. They sound fine in a 4 x 12 Marshall bottom. Very crunchy and chunky...kind of like the sound of a big knife slicing through a head of lettuce.
I prefer Vintage 30's, G12H30's and G12-65's to Greenbacks, but all four are toneful as all get out and all four are among the very best guitar speakers ever created and any player with good technique should be able to get a great tone out of any of those speakers.
Players who say the Vintage 30 sounds horrible, grating, thin, to trebley, to bright, etc. are probably hearing the true sound of their own playing and touch, and probably need to learn how to use the tone controls of their amp properly and probably also need to practice more at creating and shaping a beautiful tone with their hands. Maybe they need to practice more without even plugging into an amp and work more on coordinating their picking, finger placement and vibrato and shaping the note with their own two hands, because, IMO, what they are hearing is the sound of their own inability to play smoothly and to get a fat warm tone with their own touch and technique.
Vintage 30's do seem to have a little less midrange crunch and thickness to the mids than Greenbacks, G12H30's, G12-65's etc., but none the less, there are zillions of great players who get great tones out of Vintage 30's. If a player can't get a good and acceptable tone out of the Vintage 30 it isn't the speaker's fault.
Lew
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