MikeRocker
What's Your Forum Nameologist?
So, I've started to get the strong urge for a Tele with a Bigsby, and if I go for it I'm gonna build it. If it happens, it will be swamp ash (after all, it ain't really a Tele unless it's swamp ash...or maybe pine...) with a rosewood fingerboard, kind of like the photo below :cool3: So I've been scoping USA Custom and Warmoth, and the description of the chambered (Warmoth)/thinline (both) sounds great (from Warmoth - "These bodies are very resonant, they even feel alive when plucked. Sustain is improved over their solid body counterparts and feedback isn't even an issue. Tone wise: Alder, Ash, and Mahogany each maintain their traditional tone but it's more open, full, fat, and chunky."), and they both can make them solid behind the bridge to accommodate the Bigsby. So all was well until I looked at the price for chambered + binding on the front and back and went:
:eek2:
So, the question: does anyone have any experience with a Telecaster that is chambered or thinline BUT with NO F-HOLES? If so, how does it compare to a standard solid-bodied Tele? The reason I ask is that chambered/thinline is about $100+ more expensive than solid...if it really makes a big difference and is worth it, I might just bite the bullet, but if not I'd like to hang onto my $100+. Thank you for any input/wisdom/experience!!

:eek2:
So, the question: does anyone have any experience with a Telecaster that is chambered or thinline BUT with NO F-HOLES? If so, how does it compare to a standard solid-bodied Tele? The reason I ask is that chambered/thinline is about $100+ more expensive than solid...if it really makes a big difference and is worth it, I might just bite the bullet, but if not I'd like to hang onto my $100+. Thank you for any input/wisdom/experience!!
