Guitar Toad
Toadily Stratologist
Do all Fender amps have the same clean tones? Which Fender has the best and brightest cleans? DR, DRRI, HR, HRD, SR, PR, TR, Bassman,...etc?
Guitar Toad said:When I first came on the forum, I was all about mid-rangy tones overdriven and distorted tones. That's probably do to my 80's heritage. But, as I listen to you guys and listen to music now with a more educated ear. This is also due to playing a strat and learning how it sounds. I'm figuring out that I do in fact like bright beautiful chimy clean strat tones. As far as Fender amps are they all created equal in terms of their clean tones?
Guitar Toad said:Do all Fender amps have the same clean tones? Which Fender has the best and brightest cleans? DR, DRRI, HR, HRD, SR, PR, TR, Bassman,...etc?
Bludave said:NO!! Absolutely NO!....
Fender Cleans will deteroiate as the volume goes up on the Amps. Fenders Overdrive by tube saturation. The higher you set the volume the less clean the sound will be. I am speaking of Twins, Deluxe Reverbs, Super Reverbs, etc. They sound similar at low volumes, but you need higher wattage amps to keep them clean at higher volumes. The Deluxe Reverb has 22 watts and when you get the volume over 4 it is hard to get a real chimy clean with them. Upgrading the Speaker to a Vintage 30 will help a great deal. I use a '67 DR as my main Gigging Amp.. It is a great Amp, but if you want crystal clear cleans it is not the best for that. A Super Reverb has 40 watts and because of the extra wattage it will be a lot cleaner at higher volumes. The 4 10" speaker will handle the bottom a lot better than the Deluxe also. The Twin is 85 watts and these Amps will handle Chimey Crystal clear tones at ANY volume. If Clean and Loud is what you want.... the Twin will be hard to beat!
I have no real experience with the Newer channel switching Fenders, but the few times I did play thru them I did not like the drive.... it sounded to artificial to my ears. I have played thru a SF Super Reverb (1968) for over 10 years and I recently bought a 1967 Deluxe Reverb. Best advise I can give you is to play thru a variety of these Amps and find the one that will be best suited for the sound you are after.
Hot _Grits said:I use a vibrolux that is basically a modified blonde/brownface era circuit. It sort of bridges the gap between, the thick, warm, dimensional tweed sound, and the brighter, thinner blackface sound. That's my idea of a nice fender clean.
Personally I find the midrange on blackface amps a bit weird, and silverfaces are worse again. 10s help those amps, though, and I do like super reverbs from both eras.
+1 for the Twin for loud and clean. Another alternative is an old Musicman amp...I forget the model, year or anything that I could help you use to ID it but it was loud, clean and cheaper than a vintage Twin.Bludave said:If Clean and Loud is what you want.... the Twin will be hard to beat!
Hey Grits, am I correct in remembering you referring to a mod for the BF Twin, done by someone around here?Hot _Grits said:I use a vibrolux that is basically a modified blonde/brownface era circuit. It sort of bridges the gap between, the thick, warm, dimensional tweed sound, and the brighter, thinner blackface sound. That's my idea of a nice fender clean.
Personally I find the midrange on blackface amps a bit weird, and silverfaces are worse again. 10s help those amps, though, and I do like super reverbs from both eras.
Jonny R said:Hey Grits, am I correct in remembering you referring to a mod for the BF Twin, done by someone around here?
Hot _Grits said:Personally I find the midrange on blackface amps a bit weird, and silverfaces are worse again. 10s help those amps, though, and I do like super reverbs from both eras.