Coming Soon Pt.2 and Pt.3.
The chassis on top of the combo is a Fender Harvard clone The guy I bought it from said it was a Harvard and was about 75% complete before he quit working on it. However, the board he built was some kind of Deluxe variant that shared no similarity other than a 6AT6 in the V1 position. It probably wouldn't have worked so I gutted the board and built a Harvard circuit from scratch. It has a Volume and Baxandal Bass/Treble control on a concentric knob. It has a 6AV6, 12AX7, two 6V6s, and a solid-state rectifier. The transformers are from a Hammond Organ. I have a bias pot inside and I wouldn't mind running 6K6s instead of 6V6s if it's too loud and bright. I don't have a cabinet for it.
The combo below is the chassis of a 1960s ELK Pro-Sonic that I have built a Fender Deluxe Reverb clone from. The guy I bought it from had completed about 90% of it and quit. I figure he painted himself into a corner. The board he built was a Hoffman Deluxe Reverb and the ELK Pro-Sonic faceplate is the opposite of the Deluxe Reverb layout with the Reverb channel first with Reverb, Volume, Bass, and Treble. That meant he had wires crossing over each other to try and compensate and it became a mess. I believe the final straw for him was when he wired the tube sockets and found out he was missing a phase inverter socket. So I drilled another tube socket and swapped the front panel and tube layout to match the Deluxe Reverb. I moved the reverb control to the end near the pilot light. That allowed me to add a Friedman-style clipping switch and a Middle control to the Normal Channel. I will need to relabel the front panel later. It has two 12AX7s, and three 12AT7s, and a 5U4 rectifier. The transformers and reverb tank are original. I have one MISCO 10-inch Ceramic Hemp Cone and one MISCO 10-inch Alnico Hemp Cone speaker in the cabinet.