I think every piece of mahogany sounds different.For nasally and congested, I’d try Mucinex and if that doesn’t work, then Flonase...
But seriously, an all mahogany body can be tricky to match pickups for a good, full sound. Think about why Gibson elected to add a maple top the the mahogany Les Paul. I had a beautiful 1-piece mahogany single hum body from Warmoth back when I was running EMG 57s in all my guitars. That guitar sounded SO ‘round’ and ‘warm’ to my ears. I also had an Ash single hum body with a 57 which to me sounded a bit ‘hard.’ I had played a show with decent stage volume and a really good front mix and switched guitars several times throughout the set. It all sounded good on stage. But after the show, everyone from a former guitar student to my wife said ‘that white guitar sounded incredible tonight’ and ‘the brown one looks so pretty, but sounded really muddy compared to your white one.’ (My Mahogany Guitar had a simple oil finish and the Ash guitar was bright white with black hardware) Exact same rig - Splawn QR - exact same amp settings - exact same cab - Greenback 4x12 - same Sound man - same mix. And identical EMG 57 pickups in each guitar. The all mahogany body just did not hold together live. After swapping several passives through that guitar, I ended up selling it and bolting the neck onto an old-school Alder strat body and it sounds killer. The Gibson SG works - but I think Mahogany needs something on top to help firm it up and help it cut in a live mix. That said, Mahogany tends to be bottom-heavy and does not offer much definition. It’s easy for a pickup to accentuate the ‘tubbiness’ of the wood and its also easy for a bright pickup to sound ice-picky. I think fuller mids help firm up the low end and add articulation to the highs.
I have had seven mahogany guitars over the years, some with tops and I can't say I know what mahogany really sounds like .
The m400 has an aggressive sound. Lots of cut. Mahog body and bolt on maple is way different than mahog mahog glue on.