On the subject of bass compression.
Ive been thinking our bands bassist may benifit from some compression.
I have 3 unused older Dbx blackface 166 2ch comps I took outta the PA rack.
Would these work as compression on a bass amp?
And best infront or in the FX loop?
I don't know the answer to whether that will work for your bassist. But, I do know that bass compression is usually best direct to the bass. I run into my Cali76 before anything else in my bass effects chain.
On the subject of bass compression.
Ive been thinking our bands bassist may benifit from some compression.
I have 3 unused older Dbx blackface 166 2ch comps I took outta the PA rack.
Would these work as compression on a bass amp?
And best infront or in the FX loop?
Ah gotcha. Being as they are meant for mixer insert points. Yea prolly the loop. That may not tame transients big loud peaks as much as mush it up being as it would be compressing the whole preamp section of the amp.
But yea some notes just boom right out at ya and others are quiet.
The apple doesn't fall far from the tree. One of my favorites is the Seymour Duncan Double Back (discontinued) which shows-up occasionally on secondhand platforms. They're big with obnoxious graphics and sound really good. The successor, the Studio Bass, is also worthy of consideration. Both have blends which are mission-critical IME.
i really liked my doubleback. i gave it to a buddy who needed it more than i did, i have a vise grip now and it great. i assume the studio bass is equally great
i really liked my doubleback. i gave it to a buddy who needed it more than i did, i have a vise grip now and it great. i assume the studio bass is equally great
Best part is the knobs stay put...they're stiff. If attacked in a venue, you can pull it off your board and seriously injure the assailant. All 3 are my first picks for low-dough compression.