Re: Controlled feedback
Volume certainly helps, but it's not only volume. It's whatever it takes to cause the strings to vibrate. Sound volume from the speakers to the strings will do that.
It's also about frequencies. That's why standing in the right place on the stage for the note you are playing (trying to get to feedback) is important.
But, as was mentioned earlier, a direct transfer of the vibrations of the speaker cab to the head of the guitar works wonders. I grew up in San Francisco in the psychedelic 60's and that's how we did it. If the sheer volume didn't get what we wanted, we'd just firmly touch the head to the speaker cab (ok, get your minds out of the gutter, you know I meant "guitar head").
Volume certainly helps, but it's not only volume. It's whatever it takes to cause the strings to vibrate. Sound volume from the speakers to the strings will do that.
It's also about frequencies. That's why standing in the right place on the stage for the note you are playing (trying to get to feedback) is important.
But, as was mentioned earlier, a direct transfer of the vibrations of the speaker cab to the head of the guitar works wonders. I grew up in San Francisco in the psychedelic 60's and that's how we did it. If the sheer volume didn't get what we wanted, we'd just firmly touch the head to the speaker cab (ok, get your minds out of the gutter, you know I meant "guitar head").