Maybe that's the reason for his god awful overdriven tone..... :smack:the guy who invented fire said:If you look for Lew's post about the DC of Strat pickups throught the years, you will see that Jimi had some pretty weak pickups.
Boleslaw Gers 666 said:Maybe that's the reason for his god awful overdriven tone..... :smack:
Guitar Toad said:Were Jimi and Leo Fender worlds apart culturally? or was it something else? Did Fender have better relationships with other musicians in the 60's?
brianwenz said:Hello Hello--
How about "Penis Dale" ???
Brian.
Guitar Toad said:Did Jimi really use the Big Muff? or is that just sound like Jimi marketing?
jimo said:Perhaps I can help----I played Strats in the 60's. You had to "balance" the selector switch between, say the middle and back positions to get what we used to call the "out of phase" sounds. They would sometimes "pop back" to another position as well. Amps didn't have master volumes back then so people tried to get a hot pickup to overdrive the front end of an amp. I remember the first "fuzz boxes" we got----didn't sound very good with chords mainly with single notes. I guess a 15 year old of today would find that very primitive. Not only that------the way you learned songs was to buy a "record" and slow it down ---and try to cop the riff off of that . NO TAB!---------as you can clearly see it was darn near impossible--------------anybody remember an LPB-1 power booster? lol :laugh2: --------cheers!-----------JIMO :dance:
accipiter said:A quote from the Rev.
GIBBONS: It was just before we formed ZZ Top. Frank Beard [drums] and Dusty Hill [bass] were working in Dallas with the American Blues, and my band, the Moving Sidewalks, had been hired to open some shows for Jimi Hendrix. At that time I was saying, "Here's the master of the Stratocaster." That domain really belongs to him. Here was an example of a player who not only developed some skills on chord structure and new chord positionings for rock music, but was also really squeezing things out of a simple guitar and amplifier setup that had not been written about in any manual. As far as I know, he was the first exponent of playing a Stratocaster in the "in between" toggle switch setting. At that time, Fender supported what he was doing as an artist. He really didn't mind playing new, out-of-the-box guitars. Fender was sending out stacks of them-I remember he once got 17 different cartons from them. They were coming so fast and furious at him with new guitars, but he had few oldies and goodies. I acquired the pink one during our time together. It was a late Fifties Strat.
http://www.guitarworld.com/allaccess/interviews/billy-gibbons-guitarodyssey.htm
brianwenz said:Hello Hello-
Before Hendrix' first album came out, Fender [ the company, not the man...] had made plans to discontinue production of the Strat [It was not a popular guitar in America]. However, it had been popular in England and in Europe due to Hank Marvin [of the Shadows]. Hendrix was using pre-CBS Strats all over England and Europe way before he got popular in America and Fender still had no clue. He bought his first bunch of new Strats when he returned to America......there were so many new ones laying around music stores [like Manny's] that it made it real easy to pick through them and find some good ones. His roadies also bought them......these would be picked over and rejected later.
It's interesting to note that Hendrix told Jim Marshall that he wanted to pay for all his amps and did not want any freebies......he did, however, expect all the tech help and support that Marshall had to offer.
Fender / CBS still had no desire to really pick up on a good situation and went on to blow the reputation of the Fender name all the way through the 70's.
Brian.