mojosman
New member
Re: Dimarzio owns the double cream humbucker concept?
You are correct, folks on the wrong side of trademark protection often feel it's unfair, in so much as it affects their ability to make a buck. In this instance, it just seems so obscure of a concept to trademark. Imagine if the first guy to put chrome wheel covers on a car did this? Classic cars would have looked a heck of a lost different if they all had painted wheel covers.
I think 99% of guys buy aftermarket pickups for reasons involving a tone change they are seeking. The aesthetics are important, but regardless of how cool looking a given pickup is; if it sucks in terms of tone, you won't want to own it. At least not on a guitar you actually play, maybe a wall hanger. If Duncan, DiMarzio, or any other winder makes substandard pickups they will eventually cease to exist in the industry. If anyone ceases double cream humbucker production, clearly they still survive. I'm not sure what DiMarzio thought was to their advantage to make the effort fight this fight. Their image has to be about quality and performance, because that's what sells. I guess the landscape was different back when you had very limited choices and they probably had massive market share. I would say today that they have less dominance in the marketplace, but the market seems much bigger as I think more people are buying aftermarket pickups at this point, or it seems that way anyway.
Yes, and there are many many threads about this. To summarize: most people outside of the company that owns the trademark, are upset about this, but that's how trademark laws work.
You are correct, folks on the wrong side of trademark protection often feel it's unfair, in so much as it affects their ability to make a buck. In this instance, it just seems so obscure of a concept to trademark. Imagine if the first guy to put chrome wheel covers on a car did this? Classic cars would have looked a heck of a lost different if they all had painted wheel covers.
I think 99% of guys buy aftermarket pickups for reasons involving a tone change they are seeking. The aesthetics are important, but regardless of how cool looking a given pickup is; if it sucks in terms of tone, you won't want to own it. At least not on a guitar you actually play, maybe a wall hanger. If Duncan, DiMarzio, or any other winder makes substandard pickups they will eventually cease to exist in the industry. If anyone ceases double cream humbucker production, clearly they still survive. I'm not sure what DiMarzio thought was to their advantage to make the effort fight this fight. Their image has to be about quality and performance, because that's what sells. I guess the landscape was different back when you had very limited choices and they probably had massive market share. I would say today that they have less dominance in the marketplace, but the market seems much bigger as I think more people are buying aftermarket pickups at this point, or it seems that way anyway.