Re: Discontinued guitars:How to feel about them?
I just can't see guys behind counters in music stores of the future having to pull out massive folders to look up endless short-term, limited-run models from the past (meaning this era) that varied only in minor ways from many other editions when trying to establish a value, trying to determine which of the plethora of listings were supposedly the good ones and which ones, even though similar, were not regarded as being so good.
So yeah, the variety is good in the present for the consumer, but will probably guarantee that almost all but a few will achieve much in the way of high value the way the instruments of the '50s and '60s have (back then, if you bought a Strat, LP or whatever, there was one series and about the only option would be fretboard wood and body colour for a given model).
I don't think 'guys behind counters in music stores of the future' are going to spend much timing pricing used guitars, regardless of how many models there are, or aren't. They're just going to low ball people anyways, like they always do. I hope no one's losing sleep over this.
The days of the 1950's/1960's high-value guitars are long over, not going to happen again. No reason to bemoan that. Times change. There was a one-time combination of factors as to why it did happen (post-war industrial boom, new technology in (newly invented) electric guitars, the fact that they were used by certain players during an explosion of musical creativity, Japanese collectors with surplus cash buying them up, etc). You're not going to see today's models go for $300,000. There are
so many guitars, made all over the world;
that will prevent a feeding frenzy that could drive them that high. Look at many guitars were made in the 1950's, versus how many millions are made now. Scarcity drives up market value, and mass production drives it down. Other than guitars that belonged to someone famous, there's so many available today, no one's going to pay an extra $100,000 for a model in a different color or with different hardware than it normally was made with. Plus, big dollars draw big fakes, and these days there are many people worldwide that are talented enough to make excellent fakes, that fear of getting ripped off will also keep prices reasonable. Geez, these days there's counterfeits being made of Korean/Chinese Epiphones! You really think that for any current guitar that could eventually hit 6 figures, that the market won't be deluged with convincing fakes? There's no way to guess what the most valuable ones will be: who thought that LP Bursts would have sold for 10 times what 1950's Strats did? Or that Bursts would be worth far more than '52 Gold Tops? How do guess what the future holds and what people's tastes will be? You'll drive yourself crazy.
So, step forward into the marketplace and revel in the huge number of choices you have, and don't waste your time worrying about what any of it's going to be worth in 50 years. Enjoy what you have now and play the hell out of 'em.