BriGuy1968
New member
I'm thinking about blocking (front and back) the Floyd Rose style tremolo on the guitar you see in my avatar. It's a 1985 Westone Spectrum LX and I bought it as a nineteen-year-old kid back on 1987. I love it dearly and I love playing it... but I just haven't really found the tremolo to be something I wanted to use. As I got older, I became less infatuated with the cool sounds I could hear from every electric guitar virtuoso of the eighties and nineties, and just settled into playing the more classic rock sounds that I like best. Constantly having to tune it is frustrating, and I've also found that, since I do a lot of palm muting, I have a tendency to nudge it ever-so-slightly in-and-out of tune as I play. I also play some in drop-D tuning, which is difficult to do with a double-locking tremolo system.
I like the idea of blocking it and fully intend to go ahead with it as a project for this weekend (especially since it's so easily reversible). My question is not whether or not to do it, but whether there is any reason that, once I have it blocked, I would need to continue to use the locking nut, thus allowing me to use the normal tuners in the headstock instead of using only the fine tuners on the bridge. Actually, it seems like it would be kind of handy to have the fine tuners there for small adjustments on the fly, but let's face it... it's a real pain to find that happy place where the string is locked and the fine tuner has enough room to work without being up against the plate or ready to fall out!
I can't think of a reason why I wouldn't be able to stop using the locking nut and start using the standard tuners, but I'd kind of like to get some clarification from anyone who may have a little experience with it. :33:
Thanks a bunch!
~Brian
I like the idea of blocking it and fully intend to go ahead with it as a project for this weekend (especially since it's so easily reversible). My question is not whether or not to do it, but whether there is any reason that, once I have it blocked, I would need to continue to use the locking nut, thus allowing me to use the normal tuners in the headstock instead of using only the fine tuners on the bridge. Actually, it seems like it would be kind of handy to have the fine tuners there for small adjustments on the fly, but let's face it... it's a real pain to find that happy place where the string is locked and the fine tuner has enough room to work without being up against the plate or ready to fall out!
I can't think of a reason why I wouldn't be able to stop using the locking nut and start using the standard tuners, but I'd kind of like to get some clarification from anyone who may have a little experience with it. :33:
Thanks a bunch!
~Brian