You'll get more mids, tame the bright and not lose too much bottom.UOA5.
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Then, an A2 would get my vote.I feel it is missing some mids which would compliment the Antiquity neck much more. The brightness could stand to be tamed a bit as well. However, I do enjoy its low end.
I have an Antiquity in the neck and an early 80s '59 bridge in my Les Paul. The 59 sounds fine but I always felt it was missing a little something. Should I keep it the way it is given its age and originality or swap it for an A2, UOA5, or an A8?
I've put UOA5's in my '59B's, which for blues and classic rock is the prefect magnet for me. When A8's came available, I used those in various bridge PU's, but when Addiction FX came along with UOA5's, I was impressed with the tones & swapped out the A8's for UOA5's. They've been my go-to magnet ever since for bridges and some necks.
I'm disappointed that Duncan used regular '59's in their Vintage Blues Set, when they could have put an UOA5 in the bridge and an A4 in the neck (as so many members have done) and with no additional effort or cost, added two useful PU's to their line.
Hi everyone.
I went with the UOA5...perfection!
Still has the low end thump, softer highs, and filled in some mids. Sounds great with the volume rolled down. Articulate and pleasingly crisp. This is how the 59 should've come out.
Hi everyone.
I went with the UOA5...perfection!
Still has the low end thump, softer highs, and filled in some mids. Sounds great with the volume rolled down. Articulate and pleasingly crisp. This is how the 59 should've come out.
A4 59n paired with a UOA5 JB is no slouch either.+1. A UOA5 '59B is a great PAF. I wish Duncan would put it in production. Put an A4 in a '59N and sell them as set too.