W
WGTP
Guest
I had never heard this before and I guess it could account for some "magic" beyound pickups and marshalls. This would have been '77.
"Frank Zappa put one in his guitar rack. Engineer Tony Platt used it for the memorable snare sounds on AC/DC's Back in Black. Eddie Van Halen had a pair (set to either 18-cents sharp and 18-cents flat with a 12ms delay on one side or +12c/-15c/18ms) as part of his trademark guitar sound. Tom Lord-Alge’s setup for Steve Winwood’s soulful vocals on “Back in the High Life” also employed two slightly detuned H910s (one sharp/one flat) with an 18ms spread. The twin Harmonizer effect was so popular that Eventide recreated it as the “Dual 910” program in the H3000 UltraHarmonizer that followed it a dozen years later."
http://idiotlust.blogspot.com/
"Frank Zappa put one in his guitar rack. Engineer Tony Platt used it for the memorable snare sounds on AC/DC's Back in Black. Eddie Van Halen had a pair (set to either 18-cents sharp and 18-cents flat with a 12ms delay on one side or +12c/-15c/18ms) as part of his trademark guitar sound. Tom Lord-Alge’s setup for Steve Winwood’s soulful vocals on “Back in the High Life” also employed two slightly detuned H910s (one sharp/one flat) with an 18ms spread. The twin Harmonizer effect was so popular that Eventide recreated it as the “Dual 910” program in the H3000 UltraHarmonizer that followed it a dozen years later."
http://idiotlust.blogspot.com/