Gearjoneser
Gear Ho
First of all, my favorite bridge pickups tend to be in the 59, C5/59 hybrid, Brobucker, C5, and Custom range.
Tonight, I pulled apart my LP Goldtop Std. w/pullup tonepots. The Custom in that guitar is my "project pickup," meaning I've tried all my magnets in it, in that particular guitar.
edit - I'm now stumped as to which magnet sounded best to me. I thought it was a roughcast ceramic, but I thinks it's A5 or A2 from a Gibson Pat 2,737,842. Anybody sure what magnet came in that pickup? I don't even know what it is, but it rocks in a Custom.
Getting to the Unoriented Alnico 5 that 'Got_Tone?' graciously gave me....
Imagine taking a Custom 5, weakening it slightly, and giving an almost A2-like texture to it.....basically moving it toward a Pearly Gates B. That's what I hear in the UOA5 Custom. It's split tone is great. It's plenty bitey like a 59, but has a bit of hair on it, like a PG. Same EQ and almost the same perceived output as a C5. It's definitely in that AC/DC vibe, like you'd expect a cross of 59/C5/PG to be. It's like melting those 3 together.
I'll give it more time, along with the Jazz Bridge in the neck, which is definitely staying. In a coil splittable Les Paul, the Jazz B in the neck is GREAT. This UOA5 Custom will get the benefit of staying there for a few months, so I can give it a fair evaluation. So far, I dig it, but wonder if I'll go back to either a regular C5 or my Custom with mystery magnet.....from the PAT No. 2,737,842 80's Gibson.
Overall, it's yet another flavor of Custom series.....basically a more vintagey Custom 5, which leans toward a PG or 59.
Tonight, I pulled apart my LP Goldtop Std. w/pullup tonepots. The Custom in that guitar is my "project pickup," meaning I've tried all my magnets in it, in that particular guitar.
edit - I'm now stumped as to which magnet sounded best to me. I thought it was a roughcast ceramic, but I thinks it's A5 or A2 from a Gibson Pat 2,737,842. Anybody sure what magnet came in that pickup? I don't even know what it is, but it rocks in a Custom.
Getting to the Unoriented Alnico 5 that 'Got_Tone?' graciously gave me....
Imagine taking a Custom 5, weakening it slightly, and giving an almost A2-like texture to it.....basically moving it toward a Pearly Gates B. That's what I hear in the UOA5 Custom. It's split tone is great. It's plenty bitey like a 59, but has a bit of hair on it, like a PG. Same EQ and almost the same perceived output as a C5. It's definitely in that AC/DC vibe, like you'd expect a cross of 59/C5/PG to be. It's like melting those 3 together.
I'll give it more time, along with the Jazz Bridge in the neck, which is definitely staying. In a coil splittable Les Paul, the Jazz B in the neck is GREAT. This UOA5 Custom will get the benefit of staying there for a few months, so I can give it a fair evaluation. So far, I dig it, but wonder if I'll go back to either a regular C5 or my Custom with mystery magnet.....from the PAT No. 2,737,842 80's Gibson.
Overall, it's yet another flavor of Custom series.....basically a more vintagey Custom 5, which leans toward a PG or 59.
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