Thanks; I knew the hand claps had to be there way back when. Nice bit of 'production' without going over the top.I like the singer's voice. The song kind of reminds me of blue oyster cult or even heart, but I like it! The claps before the transition-end section were a nice touch.
I think that can be arranged.I'd kind of like to hear it without the phaser or flanger you've got on the guitars
The low end is definitely being carried by the bass guitar on this song; I didn't cut much out from the LF, in fact -- just tightened it up. But it's an SM57 on there, and they don't have much down there that I like. If I had used a ribbon, it would have the opposite problem.-- good classic British sounding amp but it sounds like you eq'd out quite a lot of low-end as well, and a bit more girth in the sections where you are hitting higher strings would make the whole song a little "bigger" if that's even the desired end result. Good stuff nonetheless!