Gear snobbery

Re: Gear snobbery

I was just mainly basing it off price.

VHT, Fryette, Orange, Splawn, Mesa all tend to fall in the same price range with Bogner costing a lil more.

In general, Orange stuff is as expensive as the Bogner stuff, but at that point the increase in price doesn't really indicate better quality. Every single one of those amps you mention all use the same sort of components in their construction.

But you know that. :) I'm more just throwing this out for the lurker crowd.
 
Re: Gear snobbery

Different stroke for different folks. FWIW I've seen Scott play dozens of times & his tone always rocks. From his Les Paul to his Wilshire. Always kickin ass! The last time I saw him I was surprised to see......PEDALS!!!
 
Re: Gear snobbery

I didn't use the pedals the other night, my Dano trem really would've started a **** storm.
 
Re: Gear snobbery

Erksin: the Rocker is actually a very cool amp that sounds amazing through the right hands... FWIW...
I'm sure you're saying that 'cause you've played one and you didn't like it but it's a quite solid amp.

For some people I guess - I thought it had zero headroom and very poor dynamic response. This was through a Marshall 4x12 with Greenbacks so maybe it was the cab but I expected it to thump a little and all I got was mush.
 
Re: Gear snobbery

I was just mainly basing it off price.

VHT, Fryette, Orange, Splawn, Mesa all tend to fall in the same price range with Bogner costing a lil more.
Well, maybe check what Pittbulls and Uber's sell for new if that's what you're going by.
As long as my point was communicated. Dissecting the details only wastes time.
When I encounter guys like the OP did, I usually just get really rude and confrontational with them. They tend to back off real quick.
 
Re: Gear snobbery

When stuff like this happens I just tell myself that 99.9% of the audience doesn't give a crap what you are playing through.
 
Re: Gear snobbery

XXX's are badass amps, but they do put up a challenge as far as squeezing out good tones. I could quite easily see how a person unaccustomed to the Active EQ and the gain would not be able to make it work.

Ignore him. Gear snobs are dumb and don't realize that what matters more than the labels on the gear is the fingers that play the music.
 
Re: Gear snobbery

I could not give 2 craps for others opinions on any of my gear as long as it inspires me to play. Whilst over the years I have received quite a few flattering comments about my sound these days people seem more bothered about the fact that the manufacturer is on a downward slide and getting a bad rep for lack of customer service and recent build quality issues. Regardless of that, I'm in it for me and if my gear makes me happy and my sound fits the style of music I want to play then I say F*!£ 'em!
 
Re: Gear snobbery

To Erskin (forgot to quote): depends on what you like of course. They do have a particular tone and feel to them. v30s are essential to bring some articulation and punch to them IMO, pretty much like most modern Oranges... again, IMHO.
 
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Re: Gear snobbery

I think the little I know about Hartley Peavey - he seems like a great American. Never owned a piece of his equipment, but I'm sure it is great for the price point.

I think the OP should make some posterboard signs that say "Marshall" and "Orange Rocker 30" - the more fake (read horrible) looking the better. When the "Acquaintance" shows up, tape it to the amp. Of course, use "Marshall" for the head and "Orange" for the cab. Misspelling them might be a nice touch... :-)
 
Re: Gear snobbery

Different stroke for different folks. FWIW I've seen Scott play dozens of times & his tone always rocks. From his Les Paul to his Wilshire. Always kickin ass! The last time I saw him I was surprised to see......PEDALS!!!

Thanks btw!
 
Re: Gear snobbery

I think the little I know about Hartley Peavey - he seems like a great American. Never owned a piece of his equipment, but I'm sure it is great for the price point.

I think the OP should make some posterboard signs that say "Marshall" and "Orange Rocker 30" - the more fake (read horrible) looking the better. When the "Acquaintance" shows up, tape it to the amp. Of course, use "Marshall" for the head and "Orange" for the cab. Misspelling them might be a nice touch... :-)

Ha I like it

I just play punky Rock n Roll, I don't anything too precious but I love gear.
 
Re: Gear snobbery

Scott,
My cousin was a touring guitarist for several acts in Nashville while on a "development" contract. For many years he also did a solo gig at a local hotel every weekend. He does the occasional club gigs now.

He's playing an old Strat through a 20 year old multieffects processor and a Fender combo amp.

He sounds GREAT.

I get asked all the time, "What's wrong with your bass," or, "Why do you play that piece of crap?" I find it hilarious. It's going on 40 years old, and it has been in the family since it was new, first as my dad's, and then as mine. This thing has seen more gig hours than most guitar wankers will ever give bedroom hours to their guitars. And it has cost a total of about $20 over the years to repair some pots (a few times).

d00d! You used the wrong brand of duct tape! Don't you know that stuff is a tone suck???
 
Re: Gear snobbery

"Meh... 900.... it has diodes...." :fing2::fing2::fing2:

Untill they hear it ofcourse... :nana::nana::nana:

Yeah, tell them pretty much ANY distortion pedal uses them too... heh.

"I thought you sounded great ...UNTIL I saw what you were using ...."

Man, I turned up to a couple of auditions years ago with my self-designed, custom built mini headless LP and a 1964 crocodile-skin tolex Selmer Thunderbird amp (50 watts, 2 x 12 combo with EL34s, quite Marshallesque) and got nothing but strange looks and stupid comments. Probably every other applicant had turned up with an EVH or Ibanez guitar, and a Marshall or Peavey EVH rig. After i'd played, there would be comments that were simply serious backpedalling, while they offered to help me carry my gear out.

When i use my Matchless clone that I built (it looks very good and sounds incredible), these so-called 'musicians' will be buzzing about 'he built his amp', as if they're expecting nothing but a sonic disaster.

It makes me angry thinking about these twats. They have no place being in the same room as me. A lot of people play guitars, a few of them might actually be musicians, very few show any imagination whatosever and most should stick to their day jobs. Very few are able to listen with their ears. Personally i think it's because deep down they know they have nothing to offer the world of music in terms of anything useful or creative.

My favourite things are when i see some guys with the most beat-up, bizarre gear and they play like demons and sound awesome. Most of the big-money stuff will never get beyond the rehearsal rooms.

Anyway, it's always some hopeful at your gig, and the answer is simple. Just tell them "Well, i'd like to chat more but i have a gig to do. Don't you have a gig to be performing at with your superior rig ?"

I play amps I built as well. One of my favorite is an old Bogen PA head converted to a Matchless for Muchless. It's got a really quirky tone stack, but it seriously just kicks ass. It's ugly, would get no respect, but makes my pants blow in the wind. I like having ugly shizz that other people would pass off as junk. Especially when it's internals are insanely awesome. That's like a Geo Metro with 300bhp.
 
Re: Gear snobbery

I recently rediscovered the joys of one of my rare, single channel amps and I replaced the front logo with my own scribbling. I use it's killer drive as the rhythm sound in my RP1000 amp loop. Then the RP runs the clean patch I spend ages on into it's power amp and drives it even harder for leads with more "playing on the top of Mt. Everest" delays and people look really confused and slack jawed when I play through that thing.

It's my super brutal mystery box.
 
Re: Gear snobbery

Ha he wasn't a NY'er!

Listen I know better at this point of my life and so should this guy.

Consider this a PSA
 
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