JeffB
Let it B
Re: Gibson 57 classics vintage matched set
I don't get the 57 classic hate around these parts (or most gibson pups, for that matter) I feel they are damned good pickups- they are a different flavor of PAF, but a good one. and do sound very similar to a set of original PAFS I played in an actual 57 Les Paul.
They need to be in a good piece of wood and some MIC/MIK guitar with faux mahogany is not the right kind of wood for them, as that stuff is muddy and lacks overtones to begin with.
Then, Gibson throws them in production level guitars with a 300K volume pot, which is also a mistake.
I had a old Tokai LS with s. american mahogany, a RS vintage wiring kit/500Kpots, and 57 classic/+ that was as righteous a creamy even wind PAf tone as one could ask for.
I can understand people wanting extreme clarity, but sometimes extreme clarity is NOT authentic to the pickup/guitar/amp, and is instead derived from studio magic.
I don't get the 57 classic hate around these parts (or most gibson pups, for that matter) I feel they are damned good pickups- they are a different flavor of PAF, but a good one. and do sound very similar to a set of original PAFS I played in an actual 57 Les Paul.
They need to be in a good piece of wood and some MIC/MIK guitar with faux mahogany is not the right kind of wood for them, as that stuff is muddy and lacks overtones to begin with.
Then, Gibson throws them in production level guitars with a 300K volume pot, which is also a mistake.
I had a old Tokai LS with s. american mahogany, a RS vintage wiring kit/500Kpots, and 57 classic/+ that was as righteous a creamy even wind PAf tone as one could ask for.
I can understand people wanting extreme clarity, but sometimes extreme clarity is NOT authentic to the pickup/guitar/amp, and is instead derived from studio magic.