sixstringsamurai333
New member
Featuring Lollars! Pretty cool, and quintessentially Chris - more info here: http://sixstringsamurai.co.nz/2013/04/04/gibson-chris-cornell-es335-announced/
$3300? As in priced like an LP custom? For WHAT??? Cheap finish, hollow so wood not much of an issue, and the Lollars alone can hardly be to blame. Gibson, shame on you.
Wow... Well, for starters that's only the MAP price anyway, street price will be way less.
That's not true at all. "Street price" for a new guitar refers to the common retail price...which is almost always M.A.P. +/- a little. Most dealers don't stray far at all from M.A.P., let alone sell for "way less" as a matter of course. It must be list price that you're thinking of.
In that case, $3,300 list would translate to about $2,300 retail. That's far more reasonable. It's still expensive on an absolute level, but at least it would make sense in terms of relative pricing. That is, a matte guitar should be significantly less expensive than a gloss guitar, because it lowers the labor costs significantly by speeding production time. Gibson pricing indicates that a new matte guitar is about 35 percent less valuable than the same model with a standard finish. So, take a plain-top, glossy 335 at $3,000 retail. Being matte knocks it down 35 percent to $1,950. Again, expensive, but logical in terms of relative pricing. Yet retail is $1,350 higher than that. So, a buyer just has to decide if it being a limited edition signature guitar is worth paying an extra 70 percent over what the guitar in its own right should probably cost. Maybe yes and maybe no. It's up to each buyer. But personally, I'd get a used ES-333 and a few cans of flat olive drab spraypaint.
There's no way a 335 should cost over $1,000 less just because it has a matte finish! That is faulty reasoning.
It is perfectly well reasoned. 30 to 40 percent less for a matte finish...just like Gibson tends to do with SGs and LPs.
I also have an example of precedent that is not even 10 years old. I recall my old 333 – basically, a matte 335. No headstock inlay, open 490's instead of covered '57's (better IMO), and no guard. But otherwise, the same guitar as a gloss 335 at the time – even better in one way: it had a back door. They listed at $1,500, and retailed for $1,000–$1,200. That was half of what a plain-top 335 cost at the time.
You may disagree with my conclusion that the limited edition and signature aspects of the Cornell account for 40 percent of its $3,300 price tag (and that was clearly my point – not whether or not anyone should or shouldn't buy it). But that is not the same thing as my reasoning being faulty. It was actually most logical. And if you are going to flatly say someone's reasoning is flawed, at least name some reasoning of your own. What is your reasoning for a matte 335 being lowered in price by a smaller percentage than a matte SG or LP?
:haha:hollow so wood not much of an issue