An amplifier's topology can have a much greater effect on the psychology of the guitarist than it does on the sound. A diode clipping stage can be the kiss of death in terms marketing even if it sounds great.
Another, interesting thing about amp consumers psychology is the amount of rated watts per price. Most guitarists only ever use maybe 10% of their 100 watt amp's output, but they will gladly spend $1900 on the 100 watt version instead of $1200 on the 20 watt version of the same amp. They feel like they are being cheated or something. But if the 20 watt amp costs $600 instead of $1200, even if the build quality is less, then they are okay with it being 20 watts instead of 100 watts.
Interesting about tests confirming it takes 2 1/2 times more solid state watts than tube watts. It is been my experience that that is true.
A comment on their comments about cheap vs expensive guitar cables: I will gladly pay a few more bucks for a quality cable because I have been burned before at a jam in terms of tone by a crappy cable. It was not something only Eric Johnson could hear. Everybody could hear the tone suck.
Definitely true. Main reason I bought the Rockerverb 50 vs the 100. 50 tube watts is more than enough for my current gigging situation. I rarely have the master above 7-8
I use a 30 watt combo these days and it is plenty loud. It definitely falls in the hybrid category - Vox AV30 w/ 2 12AX7's. Killer sounding amp and loud enough to keep up with a very loud drummer. I even have to put a baffle in front of it so the beam of the speaker doesn't kill anyone.
The whole diode clipping stage in amps thing makes me laugh. If more guitarists would be more educated about what's in their pedals, they wouldn't care about the diodes anymore.
Most guitarists only ever use maybe 10% of their 100 watt amp's output
I think most people who don't want diode clipping in an amp don't generally use diode clipping pedals either.
I think that valve type might justify getting a bigger amp. I know that Mike Soldano denied this, but the valve type changes the sound even when the power amp valves are not distorting. With regards to the modern brand of mini amps (as well as certain larger amps who use them) I've never really liked the feel of the EL84, which is standard in most amps under 50 watts. It isn't a bad sound, but it is a little too subtle, intricate and delicate for my tastes. Having the same basic amp set up for EL34s valves does make it more muscular, and deepens the voice of the amp in general.
That being said, I always go for the 50 watt over the 100 watt version of an amp, and even that is really more than is actually needed.
Another, interesting thing about amp consumers psychology is the amount of rated watts per price. Most guitarists only ever use maybe 10% of their 100 watt amp's output, but they will gladly spend $1900 on the 100 watt version instead of $1200 on the 20 watt version of the same amp. They feel like they are being cheated or something.
I agree on tube type. I have a Mesa that has both 6L6 and EL34 tubes and allows you to switch on the fly. I recorded a few phrases on a looper placed in the effects loop. While replaying the loop, I switched between the 6L6 and EL34 tubes to see the difference. Very interesting. There’s a distinct difference in the tone and response, but it still sounded like the amp, not a Fender and then magically a Marshall. I also agree on small vs large tubes. 6V6s have a really cool breakup that I love, much more so than EL84s. They almost sound like a mini EL34 in their bark. I recently upgraded to a 6L6 amp of the same style simply to get more headroom. I feel that’s the biggest difference between 50W and 100W versions of an amp. Do you want the sag of the 50W or the punch of the 100W?
I think the only reason tubes and SS/hybrid amps still have a "different sound & response" is because of marketing considerations ..or there'd be no difference at all & by that I mean ZERO :bigthumb:
The guys pretty much said so in the video themselves.
Yeah, tube tone is the best tone to my ears, but we're at a point where it need'nt come from a tube amp. If you remove the marketing equations & bull****, you can build that very "tube tone/feel" 101% into an SS or hybrid amp if you know what you're doing (and sometimes even if you don't :lmao..it's that easy.
The Kemper and AXe-FX/Helix stuff is probably great for copying tones of other amps and they get pretty close with that (despite my being personally underwhelmed when I tried an Axe FX..probabaly 'cause I did'nt have a clue on how to tweak it to my taste..but that's another story) but in the end I think good old analog SS is the best type of tube emulation out there in terms of not just duplicating the feel & response of tubes to the point where the most golden-eared of tube purist's couldnt tell the difference in a blind test, but also the simplicity and familiarity of an actual tube amp (ie..turn the knobs up and go..)
And yes, all those modelers require time and effort to get the tone you want. That's why I personally sold mine. I had great tones in there, but I was always tweaking and looking around to see how much better I could get them. Started tweaking more than playing.
I think the only reason tubes and SS/hybrid amps still have a "different sound & response" is because of marketing considerations ..or there'd be no difference at all & by that I mean ZERO :bigthumb:
The guys pretty much said so in the video themselves.
Yeah, tube tone is the best tone to my ears, but we're at a point where it need'nt come from a tube amp. If you remove the marketing equations & bull****, you can build that very "tube tone/feel" 101% into an SS or hybrid amp if you know what you're doing (and sometimes even if you don't :lmao..it's that easy.
The Kemper and AXe-FX/Helix stuff is probably great for copying tones of other amps and they get pretty close with that (despite my being personally underwhelmed when I tried an Axe FX..probabaly 'cause I did'nt have a clue on how to tweak it to my taste..but that's another story) but in the end I think good old analog SS is the best type of tube emulation out there in terms of not just duplicating the feel & response of tubes to the point where the most golden-eared of tube purist's couldnt tell the difference in a blind test, but also the simplicity and familiarity of an actual tube amp (ie..turn the knobs up and go..)