Re: Help me choose pickups for a mahogany Les Paul style guitar
I'm really undecided about the neck pickup :\
On one hand, Slash uses the APH1 and I really dig his tone..
When does Slash use the neck pickup? Sure, there's some fingerpicking, but what do you know which guitar he used in the Studio to play the intro to "Dream On" or whatever.
On the other hand the Jazz sounds a bit clearer and more defined, which I love...
But then there are people saying one can sound lame and that the other sounds bland
If you want pickups that are highly reactive to how exactly you pick, you generally want the scooped A5 family - 59, C5, JB.
The 59 can, usually will, be too boomy for the neck of a Les Paul if you ever play full chords. It will sound great for fingerpicking because it really gets the scooped thing going and it's like a loudness switch. But clean full chords with a 59 neck in a Les Paul - think of a trash can full of pickle glasses rolling down a flight of stairs.
The usual cure for that is the Jazz which is A5 and not boomy. It can be kind of lame, so I would recommend playing it through a graphics EQ (Boss GE-7 or something), and even though people look down on them compressors can really lift your fingerpicking to a new level. Then the Jazz gives you a nice clean, controlled input for the effects and you start messing with the knobs from there.
Regardless, the APH1 neck is definitely not less "lame" than the Jazz. It doesn't have any of the kick of the APH1 in the bridge.
I think both APH1n and JazzN in Les Pauls will be good with some careful use of effects. 59n is probably better without effects but will have limited use.
FWIW, my standard combo of pickups that I use to compare guitars, the combo that works in the widest spectrum of guitars, is APB1b and JazzN.
Oh, if only the pursuit of tone was easier... But then it wouldn't be as fun
Exactly.
And what would be post about?
