Dave Locher
New member
So I built myself a simple box with a rotary switch that allows me to put different low-value capacitors into the signal. The switch determines which capacitor is grounded to the guitar signal. I really like the .001 and .0015 to knock off the really high frequencies of my guitar. (I am not a fan of high frequencies!)
It all works great, but I have noticed this: when the box is in my signal turning down the volume knob on my guitar acts almost like a tone control. Lowering volume from 10 to 8 or 9 chops off a fair amount of high end from the signal and turning it down to around 5 or 6 really cuts most of the highs. (Bill & Becky L500XL wired with 500k linear volume and tone pots running through a 10-foot and 4-foot cable into a 1978 Randall RG100ES, which is a solid-state amp.) It is the capacitors causing this, not the box itself - I have a true-bypass switch that allows me to bypass the rotary switch completely and the rotary switch has a no-capacitor position on it so it is very easy for me to switch the caps in and out of the signal.
This does not bother me at all, and in fact I am finding it quite useful. But I am hoping someone can explain to me why having a tiny-value capacitor in the signal would have such a noticeable effect on the sound/volume relationship? Or, I guess, why adding such a small cap makes a much bigger difference when the guitar volume is turned down than when it is dimed?
Something a person with minimal electrical expertise can understand.
It all works great, but I have noticed this: when the box is in my signal turning down the volume knob on my guitar acts almost like a tone control. Lowering volume from 10 to 8 or 9 chops off a fair amount of high end from the signal and turning it down to around 5 or 6 really cuts most of the highs. (Bill & Becky L500XL wired with 500k linear volume and tone pots running through a 10-foot and 4-foot cable into a 1978 Randall RG100ES, which is a solid-state amp.) It is the capacitors causing this, not the box itself - I have a true-bypass switch that allows me to bypass the rotary switch completely and the rotary switch has a no-capacitor position on it so it is very easy for me to switch the caps in and out of the signal.
This does not bother me at all, and in fact I am finding it quite useful. But I am hoping someone can explain to me why having a tiny-value capacitor in the signal would have such a noticeable effect on the sound/volume relationship? Or, I guess, why adding such a small cap makes a much bigger difference when the guitar volume is turned down than when it is dimed?
Something a person with minimal electrical expertise can understand.