MikeS
Bengalsologist
I've had this operation for almost two weeks now so I thought I'd go ahead and share...
I worked on this for awhile, had a tough time with the superswitch doing everything I wanted, but in the end it was totally worth it. This uses a superswitch and a single push/pull for a completely stock look and because there's only one additional switch is very easy to navigate. On top of that it has a treble bleed mod and used the G&L PTB tone circuit (finally, a strat tone circuit that makes sense!). The pickups are Fender Texas Specials (the middle is RWRP). The positions are as follows:
Push/pull down
1. Neck
2. Neck + Middle (parallel)
3 Middle
4. Bridge + Middle (parallel)
5. Bridge
Push/pull up
1. Neck + Middle (series)
2. Neck
3. Neck + Bridge (parallel)
4. Bridge
5. Bridge + Middle (series)
Normally I'm adverse to duplicate positions, but in this case I feel the duplicates I designed in are very useful relative to the tones nearby. I made a couple concessions with these duplicate positions because while there were two more tones I would have liked to have had, they just were not possible without adding a switch. A fifth pole on the superswitch would have done it... oh well.
In the diagram below you'll notice the DPDT doesn't appear to be attached to a pot, I just draw them that way to keep the diagram clean. In case you wondered, it's on the treble control, which is the middle pot. A strat's volume pot can be in the way enough as it is... no sense in making it worse with a push pull. Anyway, enough blabbering, here's the pic:
I worked on this for awhile, had a tough time with the superswitch doing everything I wanted, but in the end it was totally worth it. This uses a superswitch and a single push/pull for a completely stock look and because there's only one additional switch is very easy to navigate. On top of that it has a treble bleed mod and used the G&L PTB tone circuit (finally, a strat tone circuit that makes sense!). The pickups are Fender Texas Specials (the middle is RWRP). The positions are as follows:
Push/pull down
1. Neck
2. Neck + Middle (parallel)
3 Middle
4. Bridge + Middle (parallel)
5. Bridge
Push/pull up
1. Neck + Middle (series)
2. Neck
3. Neck + Bridge (parallel)
4. Bridge
5. Bridge + Middle (series)
Normally I'm adverse to duplicate positions, but in this case I feel the duplicates I designed in are very useful relative to the tones nearby. I made a couple concessions with these duplicate positions because while there were two more tones I would have liked to have had, they just were not possible without adding a switch. A fifth pole on the superswitch would have done it... oh well.
In the diagram below you'll notice the DPDT doesn't appear to be attached to a pot, I just draw them that way to keep the diagram clean. In case you wondered, it's on the treble control, which is the middle pot. A strat's volume pot can be in the way enough as it is... no sense in making it worse with a push pull. Anyway, enough blabbering, here's the pic: