Monsta-Tone
New member
I've been reading forum threads about adjustable pole pieces all morning and I'm still confused.
I was not able to find anything concise about what the actual changes are between hex (long vs. short) and slotted.
Some guys think longer screws are better, some seemed to think that shorter screws were more articulate.
I also was not able to really figure out what each alloy does.....
I'm a little confused and all coffee-d up, so please forgive me if this doesn't make much sense....
Here is my quandary.
I have an older ESP H-300 LTD guitar. It plays like butter, but I'm not 100% satisfied with it's tone just yet.
3 piece mahogany neck through with mahogany body and quilted maple laminate
PAF Pro (standard spaced) in the neck
Super Distortion (F spaced) in the bridge
500k pots (1 Volume, 1 Tone)
.022mf Orange Drop cap
Switchcraft jack
Anyway....
When I first got the guitar, it had a Tone Zone in the neck. Not sure what the previous owner was trying to accomplish, but the guitar basically like my amp was at the bottom of the tar pits. Sonic mud....
I installed a PAF Pro in the neck and love it, but have a couple of issues that I am trying to work out.
With a .022 cap:
PAF Pro is just a little muddy and inarticulate with huge amounts of gain - I lowered the pickup slightly on the bass side and raised the screws a little for the E & A strings. This seemed to help a little.
Super Distortion is just a tad too bright for riffing, but I love the harmonics!
With a .033 cap (what came in the guitar):
PAF Pro is darker and more flubby
Super Distortion has great growl, but way less harmonics
Would changing the pole pieces in both pickups allow me to dial in their individual tones a little more?
Would using a different alloy in the PP tighten up the bass a little and add a bit more sparkle?
Would using a different alloy in the SD allow me to add just a tiny bit more bass?
I also thought about the following, but I'm not sure how it will work:
Remove the PP from the tone altogether making the tone knob only work for the SD.
Then, tweaking the cap and pot value for the tone until I get it just right for the SD.
I never use the tone pot. I prefer to move my picking hand closer to the nut if I want darker tones and closer to the bridge for brighter tones. The only reason it's there is to tame the bridge pickup a little.
Anybody have any ideas?
I was not able to find anything concise about what the actual changes are between hex (long vs. short) and slotted.
Some guys think longer screws are better, some seemed to think that shorter screws were more articulate.
I also was not able to really figure out what each alloy does.....
I'm a little confused and all coffee-d up, so please forgive me if this doesn't make much sense....
Here is my quandary.
I have an older ESP H-300 LTD guitar. It plays like butter, but I'm not 100% satisfied with it's tone just yet.
3 piece mahogany neck through with mahogany body and quilted maple laminate
PAF Pro (standard spaced) in the neck
Super Distortion (F spaced) in the bridge
500k pots (1 Volume, 1 Tone)
.022mf Orange Drop cap
Switchcraft jack
Anyway....
When I first got the guitar, it had a Tone Zone in the neck. Not sure what the previous owner was trying to accomplish, but the guitar basically like my amp was at the bottom of the tar pits. Sonic mud....
I installed a PAF Pro in the neck and love it, but have a couple of issues that I am trying to work out.
With a .022 cap:
PAF Pro is just a little muddy and inarticulate with huge amounts of gain - I lowered the pickup slightly on the bass side and raised the screws a little for the E & A strings. This seemed to help a little.
Super Distortion is just a tad too bright for riffing, but I love the harmonics!
With a .033 cap (what came in the guitar):
PAF Pro is darker and more flubby
Super Distortion has great growl, but way less harmonics
Would changing the pole pieces in both pickups allow me to dial in their individual tones a little more?
Would using a different alloy in the PP tighten up the bass a little and add a bit more sparkle?
Would using a different alloy in the SD allow me to add just a tiny bit more bass?
I also thought about the following, but I'm not sure how it will work:
Remove the PP from the tone altogether making the tone knob only work for the SD.
Then, tweaking the cap and pot value for the tone until I get it just right for the SD.
I never use the tone pot. I prefer to move my picking hand closer to the nut if I want darker tones and closer to the bridge for brighter tones. The only reason it's there is to tame the bridge pickup a little.
Anybody have any ideas?