11k with 42 awg can be done, however it is NOT easy, and it will barely fit onto the bobbin. The resulting sound will be analogous to as follows: '59 : Light Truck Diesel as 11k Brobucker : Peterbilt 379. LOTS of low-end, lots of power, and not a great deal of mush. Be advised though that a PAF with 11k will be a fairly aggressive pickup even if the magnet is not at full strength. Mine is at "25" according to the CS meter, and even plugged into a fender champ 600 at 12 o'clock volume (ie: half throttle), it has very little problems getting "vintage AC/DC" to come out. I would first go with a normal brobucker as well. Even though it is "only" 10k, we are dealing with a Les Paul, and a chambered one at that (which, if you've seen how they're chambered brings it dangerously close to "semi-hollow" status). Too much power is going to make it feedback, and it'll sound horrid. Just go normal brobucker, uncovered, and voila.
Sounds like my cup of tea :yourock:
Yeah that chambering really goes into the pickups and the amp and makes the sound more powerfull
I´m bying a Peavey Windsor Studio in a month or two were it has EL34 and ECC83 tubes standard and i´m also getting a RS Guitarworks modern kit with pots for my Les Paul.
After that i´m getting myself a new pickup.
But pickup manufacters doesn´t seem to be willing to tell me which of their pickups which uses AWG42 gauge wire
Stil what you said made alot of senseand i´ve always got the volume knob to help me while playing.
Bareknuckle VHII will do the sound you're describing.
Not entirely sure what wire it is, but if it does the tone you want, does it really matter?![]()
Like Jeremy said the Brobucker is 42 gauge, as is the 78. However the S-deco is 43...I'm told that's darn near impossible to get much more than 10K of 42 gauge on a standard bobbin, so the 43 must be used.
Based on the VH/Rhoads interest...I'm gonna say this at great risk:
Either a Gibson 498 or a 59.
Not impossible, but that's pretty close to the limit. On the other hand, if you have taller bobbins, which can be easily made by cutting an existing bobbin in half and gluing a styrene insert in there, the 42 limit is expanded a bit.
Hi guys
I´m looking for a bridge pickup for my Les Paul standard which is chambered.
I have the Burstbucker pro for the moment which reads 7,96kOhm.
I need a pickup which is louder, cleaner and brighter.
I would prefer if it where in the 9-12kOhm range and Alnico 5.
The other requirement is that it has to be AWG42 gauge copper wire...
I play very Randy Rhoads influenced and a little Van Halen but i don´t want the SD 78 because of it´s Alnico 2.
Would a hybrid pickup such a the combination of a 59/Custom5 be a good choice???
Take care guys![]()
You shouldn't be so sure that you don't want A2.
A2 in overpotted machine-made PAFs sucks. But it does not suck in hand-made pickups. I seriously doubt that you will be able to tell which of my boutique pickups have A2 and which have A5. Once people start messing with the pickups things get fuzzy.
I'm pretty sure the '78 is what you want, although there's a high chance you like a '59. If you are serious about the A5 craze then try a '59, but many people grow tired of it.
actually, most of the rockfield pickups are overwound paf-type pickups(42awg wound to 9-10k). i'd actually look to them for the kind of pickup you're describing.
A5 to me, seems to leave a hole in the mids.
The Custom series are 43AWG. Trying different mags with them is cool because each one gives different sounds with the same coils. That's what the CC, C5, Custom and C8 are in the Duncan line.
This whole getting caught up on the wire gauge and windings is just plain silly, IMO. If it takes a 43AWG pickup to get you where you want be, then so be it. Don't limit yourself to just 42AWG.
This seems to be true. But, for me it works. It's certainly not a scooped sound and keeping mids above 12 on my amp is enough compensation I think. I'm just talking about a particular guitar here: for me the A2 sounds really cool, but the lows are not tight enough, especially with a clean tone. I tried an A4 and it has tons of mids and is tight, but the highs lack the "sparkle" that I like. Sounded kind of flat and boring to me. The A8 is nice all around but too powerful. A5 worked the best for me. I'm using a 59/C hybrid, btw.