Re: How 'bout Seth Lover Bridge / SD 59' Neck?
I don't know if this will work with a thread this old but worth a try.
Epi LP Florentine. Semi-hollow, neck-thru, maple top over mahogany, rosewood over mahogany neck. ProBuckers.
Stock, I found it dark, muddy, generally unpleasant. That was at full volume, full tone, un tapped. Turning the tone knobs or tapping the ProBuckers only made it worse. I wasn't the only one, neither my son or my grandson liked it. Maybe it was this particular guitar, maybe it a genetic hearing issue.
After six months, I went crazy and replaced the wiring harness, pots, caps, switch, jack, bridge, and nut.
Now I have a bright, responsive bridge tone and only slightly dark neck, but enough to pull the bridge down when both pups are on. I also have good tonal variance as both the tone knobs and the splits produce useable sound.
Figured I might as well go all the way and swap pickups.
Based on this thread, it should be '55b at the neck and '59n at the bridge.
However, that sounds the opposite of what I want which would be, aside from the ultimate PAF sound, a tiny touch warmer at the bridge and a three tiny bits brighter at the neck.
Of course, I'm concluding this based on ProBuckers. Still, I think they tell me enough to say that all the other changes have left me with a matched pair of ProBuckers (2,3) that pair up well as to volume and are nicely bright at the bridge, a little too dark at the neck. All of this 'to my ears'.
'59n at the neck, '55b at the bridge?
Stated differently, you think a '55b will bring the ProBucker bridge down just a tiny bit or a whole bunch? Or, heck, even brighter?
Stated differently, you think a '59n will brighten the neck and if so by how much?
Goal: ultimate PAD sound with complementing pickups.
Thanks