I did that with a track I got recorded from my last gig... it was a pretty ****ty recording to begin with (not worth the $20 i paid to get it but at least the performances were good) but to make it sound better for MySpace I went through it with a 31-band EQ and a Multiband compressor in Garageband and that helped a bunch. There were still some audio problems/frequency fighting as a result of not being able to isolate instruments, but whatever.
I did that with a track I got recorded from my last gig... it was a pretty ****ty recording to begin with (not worth the $20 i paid to get it but at least the performances were good) but to make it sound better for MySpace I went through it with a 31-band EQ and a Multiband compressor in Garageband and that helped a bunch. There were still some audio problems/frequency fighting as a result of not being able to isolate instruments, but whatever.
The soundguy offered to do a bootleg recording of the show for $20 so we took a chance, paid, and got our CD. Soundguys around here usually do this to make a little $$ on the side. The recording was pretty awful, definitely not worth the $20 we paid. I think that one track alone AFTER I got done with it was maybe worth $5 for the kind of sound we got.
We've gotten much better results at other venues, though so thats why we decided to take the chance to pay for a demo.
Other members with more recording experience/gear would be able to offer further info.
Ahhh I see... yeah different music but still the same basic principle.
With the limited technology I have and the fact that it was one badly recorded stereo track, about as much as i could do was go through the computer's 31-band eq and boost/cut frequencies accordingly to clear up the sound. That and a multiband compressor to tame volume spikes on specific frequency ranges (i.e. voice) was about as much as I could do. Plus a hint of reverb helped fill out the sound.