Perfect isn't a steady state.
And as far as the professionals that you mentioned, I consider the incidents of their mistakes to be statistically insignificant [emoji41]
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Yes, but then, by definition what you are talking about doesn't exist in the real world. I'm not talking about some non-existent Platonic ideal. I'm talking about real life perfection, which by definition (at least my definition) is a dynamic state of movement from a greater percent error to a lesser percent error. I suppose that my definition is influenced by the concept of calculus.haha..come on dude. Perfect is perfect. ...ie no room for imperfection ..at all...ever.
No amount or specific type of practice will get you there.
Do they (Vai etc..) **** up less than the rest of us ..yeah most likely. But everyone can and does have a bad day/gig that stinks...bad notes/dud bends/****ty phrases. That stuff happens to everyone & there's no denying there's a significant difference in their playing on a lot of the bootleg stuff vs. their professionally produced stuff..(and I'm not just talking about the sound.)
Don't think it takes anything away from them in any way... being perfect all day everyday (imo an impossibility anyway) would just mean they were playing it very very very safe indeed ..& that would be boring as ****![]()
Yeah, I'm grateful for the finger exercises that gave me a good measure of dexterity back in the day (don't do them any more), but otherwise the other stuff I was wasting my time with (scales, theory) I've come to realize was more a hindrance for me personally than anything. My brain could never process that stuff quick enough to make it useful in any kind of practical sense for me to achieve the kind of fluidity & flow I was looking for. Not saying there are'nt players who can do that, I just am not one of them.

LOL! The concept of calculus? ..really?? :lmao:
I'm into music theory, and agree with you that it can seriously get in the way.
Not meaning to detract from the topic but felt it prudent to correct something that I posted earlier (quoting my own post above).Pretty amazing how it all works though huh!!! Vivian does a lot of five fret stuff. "We Rock" nearly did my head in at first (closest I've come to smashing a Jackson into a brick wall). Thought I'd never get it right. Packed it in for a few days and "as if by magic" the next time the spread just came natural (and has now "stuck") (and a great feeling) (especially given that I got small hands and this on a normal scale length as opposed to a shorter scale length and something I never thought I'd be able to do on a normal scale length).
Yep, calculus. Hard to see it any other way when you know how calculus works. ("Trigonometry in motion.")
And COME ON, GUYS, yes, guys like Steve Vai make less mistakes, they pick up on new stuff quicker, can problem-solve on the fly better, you name it, they're better at it! And at the end of the day, the mistakes that they actually do make get hidden by their ability to compensate on the fly. And yes, just listen to them, they ALL talk about their mistakes...and then it has to be explained to us what they did wrong because it's so well hidden!
Steve Vai goes on "Guitar Jeopardy" and says, "I'll take 'Things Only I Know' for a thousand, Alex."
This![]()
I said that music theory can seriously get in the way. You're saying that it gets in the way of your ability to smile.
Earlier I mentioned that at times, all that I've got is something like "recreational therapy in the form of playing music," and practice can go frick itself. This thread is largely about "how to practice effectively." One thing that's being ignored is that, at some point, once the basics are learned and a person is comfortable playing songs in the privacy of their own home, it's totally TOTALLY okay to call 'er quits on learning new stuff, and just enjoy playing music.
And in my opinion, at that point, just playing guitar will maintain your ability level, and you can call that the only practice you'll ever need.
Music theory gets in the way? You supposed to just try every different series of notes till it sounds right? I dont see how knowing Dorian has a major 6th hurts anybody. I think if its too much at once is the problem, not the theory.haha ..I said you were right about musical theory getting in the way ...& smiled.
I think you're right about the rest of this post as well ..so here's another![]()
Ummmnnn... Well yes!!! LOL!!! I’ve forgotten 99% of the theory learned many many years ago as mentioned earlier on this thread. But I do know when it sounds “right” (and when it sounds “wrong” or when it “fits” or when it doesn’t “fit”). Not everyone can do this let’s face it. As but one example I had the privilege of knowing somebody back then that could play anything and everything note perfect from sheet music (she reached the max. possible grades which qualified her as a teacher) (and she certainly and obviously knew her theory backwards) but she could not play by ear nor improvise naturally (and I was pretty much the total opposite).You supposed to just try every different series of notes till it sounds right?
Bull. You play a jam with some friends, does everybody play something and just hope it sounds ok? Or do you say to each other a blues in A? Theory is nothing more than communicating what your playing to other peopleUmmmnnn... Well yes!!! LOL!!! I’ve forgotten 99% of the theory learned many many years ago as mentioned earlier on this thread. But I do know when it sounds “right” (and when it sounds “wrong” or when it “fits” or when it doesn’t “fit”). Not everyone can do this let’s face it. I had the privilege of knowing somebody back then that could play anything and everything note perfect from sheet music (she reached the max. possible grades which qualified her as a teacher) but she could not play by ear nor improvise naturally (and I was pretty much the total opposite).
But I would have to agree to a large degree with the basic premise of your post. I hated theory. And forcing it to the extent that it was at the time did cause problems.