Diego
New member
It doesn't feel that much different from 10-52?? :grumble:
I previously had some regular Dunlops, 10-52 set. Saw some Dunlop Zakk Wylde signature sets for real cheap so I figured why not, since I'm playing a lot in Drop A (A-G-C-F-A-D) and the 6th goes a bit wobbly.
Installed them, tweaked the truss a bit and frankly it didn't improve that much.
Surprisingly the high strings are way more slinky than the 10-52 set, despite being the same maker and everything.
It still gets a bit wobbly, and I'm guessing it's the 25 inch scale and breaking angle at the bridge for the 6th string (very soft) that doesn't like going that low.
The 5th was the biggest change by far, 52 gauge instead of 42 (!!) and now it responds like a grand piano or something.
If I bring the 6th up to a regular Drop C tuning (C-G-C-F-A-D) then it comes to life and feels way tighter than the 52. Terrific. But down to A it's almost the same thing.
Can't say I'm dissapointed, but I'm just wondering how I'd get a Les Paul to be tight tuned this low with an even shorter scale (Like Zakk and the boys from Mastodon do).
Tailpiece break angle, maybe? I'm curious.
I previously had some regular Dunlops, 10-52 set. Saw some Dunlop Zakk Wylde signature sets for real cheap so I figured why not, since I'm playing a lot in Drop A (A-G-C-F-A-D) and the 6th goes a bit wobbly.
Installed them, tweaked the truss a bit and frankly it didn't improve that much.
Surprisingly the high strings are way more slinky than the 10-52 set, despite being the same maker and everything.
It still gets a bit wobbly, and I'm guessing it's the 25 inch scale and breaking angle at the bridge for the 6th string (very soft) that doesn't like going that low.
The 5th was the biggest change by far, 52 gauge instead of 42 (!!) and now it responds like a grand piano or something.
If I bring the 6th up to a regular Drop C tuning (C-G-C-F-A-D) then it comes to life and feels way tighter than the 52. Terrific. But down to A it's almost the same thing.
Can't say I'm dissapointed, but I'm just wondering how I'd get a Les Paul to be tight tuned this low with an even shorter scale (Like Zakk and the boys from Mastodon do).
Tailpiece break angle, maybe? I'm curious.
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