Re: I Like Bolt-On Guitars Better Than Set Necks
The thing is, with an electric guitar all that really matters is the amplified sound. Who plays on stage or records with an unplugged electric guitar? It's not even relevant.
I do most of my playing and practicing these days with an electric guitar, unplugged. Why? My wife is pregnant, so she goes to bed really early, and my acoustic is too loud, and so is an amp. So I grab a guitar and play the night away.
I am not in a band or gigging right now, but I still love to play guitar. So I do, with one of my electrics, unplugged.
Just like with an electric plugged in, a better tone makes you want to play more, and better. If I'm not getting a pleasant tone out of the guitar, I'm more inclined to put it down and surf the web or something.
I just hope no one took a picture.
If I had that picture, I would make it my profile picture, sig picture, and avatar!
I think it's hard to make a final judgement since most bolt-on guitars have a tremolo with sustain block, a steel bridge holding the pickup or at least string-through-body. Whereas most set-neck guitars have a TOM and stop tailpiece, or some other post-mounted thing.
I think this requires that I play more PRS guitars with trem.
As a tendency I agree, though. For the weak data available, I can say that e.g. the Music Man Steve Morse model, which is a TOM on a bolt-on neck, sounds very good.
Good point. Although my bolt on guitars are as follows: Toploader bridge ('51), Tele bridge (STL 50), and Strat trem, 5 spring'd and locked (Strat). So, 1/3, and that 1 is a little modified.
My set neck guitars are Wilkinson TOM (335) and PRS Wraparound (Soapbar).
i'd never played my LP unplugged before! but i just sat down and played it acoustically, and then a strat and my tele.
the LP is kinda muddy unplugged.
the strat is very clear by comparison, its also got a frequency hump, but its a higher frequency, and its not a big width, if that makes sense. its a narrower frequency band than the LP. it sounds pretty natural unplugged, almost like the tone plugged and unplugged is close
the tele is in between id say. it sounds nice acoustically too
interestingly sustain between all 3 is close enough to be the same unplugged.
plugged in is different. i basically have an amp for the single coils and an amp for the HB's...
mike
Thanks for reporting in - this is just the kind of feedback I was looking for!
i'm thinking this is a scale length, and possibly also a wood/finish/construction thing, but could be well off the mark here
my question is: where does your SE one fit into this, I6?
The SE is the mid-heaviest of the bunch. I'm not surprised, it touts it's prominent midrange
right on the product page, but while this guitar is
incredible plugged in, and probably my best playing guitar, it sounds really "moan-y" unplugged. It has a mahogany body and a mahogany set neck.
Alright I tried this with the two closest guitars I had available. I used a Gibson SG carved top and a Godin CT signature.
They both have mahogany bodies, mahogany necks, carved maple tops and tune-o-matic bridges. Both are hardtails with the Gibson using a standard tailpeice and the Godin has a string through design.
The SG has a 24 fret ebony board with a set neck. The Godin CT has a 22 fret rosewood board with a bolt on neck.
The Godin is far and away the better guitar unplugged.
Again, thanks for reporting in! This is just what I was looking for - folks to compare theirs and let me know if they are perceiving something similar.