OrkestrA
New member
work has been slow recently, so I got to thinking and what with the tools on my PC at work; I started messing around...

I use a Powerball and love it, I recently customized my cab by swapping out two V60's in the bottom with two Vintage 30 speakers. It sounds so amazing.
My Powerball got me thinking, would it not be great to have a clean 'channel' which had only one control which tailored the sound? The channel was purest clean, with two modes one for brighter, fendery tones and the other for warmer vox style British tones.
The dirty channel would have two modes, one cold (ala 5150, Savage etc) and one warm (ala Invader, Powerball, Boogie mkIV's etc)...
Also I love the switchable mids on my Powerball, its fantastic to cut through but also when I'm recording it's like I've got two different, amazing amps!!!
One thing regarding that though is that I prefer my mids focused, but when I switch to the clean or crunch channels I prefer the contour to be disengaged - what I would propose is that this was set by the head and then automatically observed by the footswitch, thus: when you switch from channel 1 (contour off) to channel 3 (contour on) it footswitch does this for you!
Also, extra tube would add an extra flavor to the tone although perhaps needless, it sounds cool!
What would you design?

I use a Powerball and love it, I recently customized my cab by swapping out two V60's in the bottom with two Vintage 30 speakers. It sounds so amazing.
My Powerball got me thinking, would it not be great to have a clean 'channel' which had only one control which tailored the sound? The channel was purest clean, with two modes one for brighter, fendery tones and the other for warmer vox style British tones.
The dirty channel would have two modes, one cold (ala 5150, Savage etc) and one warm (ala Invader, Powerball, Boogie mkIV's etc)...
Also I love the switchable mids on my Powerball, its fantastic to cut through but also when I'm recording it's like I've got two different, amazing amps!!!
One thing regarding that though is that I prefer my mids focused, but when I switch to the clean or crunch channels I prefer the contour to be disengaged - what I would propose is that this was set by the head and then automatically observed by the footswitch, thus: when you switch from channel 1 (contour off) to channel 3 (contour on) it footswitch does this for you!
Also, extra tube would add an extra flavor to the tone although perhaps needless, it sounds cool!
What would you design?