Prozrenie
New member
I gave up on my desire to pick up a Fender "Roland Ready" MIM strat (discontinued but still on shelves) to do synth work, as I realized that they are not well regarded. (I was going to swap out the MIM pups for Duncans before realizing that the whole thing was a be****ted effort.)
Godin seem to be the go-to people for 13-pin synth access.
The LGX series are all solid guitars, with Seymour Duncans in them and a piezo pickup also for "acoustic style sounds". The bridge pickup is supposedly unique to Duncan, a modified "Custom Custom" that Seymour cooked up himself for this axe; some say it is a Custom 5. The neck has an SH 2 Jazz.
There's some freewheeling string on the Pickup board wherein the Duncans get dumped on by a three-starred member (I don't know how much weight to assign), and one other thread where a guy hates the jazz pup, but I have to say, many impressions around the net are that the LGXT and LGX-SA are some of the best guitars around.
Any thoughts from this group, especially anyone that's played one of these? BTW I wonder if the nod to jazz might be a marketing effort to draw in the older crowd who perhaps can often afford $1700 for a guitar. (Oh, I see that the Duncan people anticipated that angle: "Don't let the name fool you; it's not only great for jazz, but also country, blues, funk, classic rock and heavy rock." LOL! )
Godin seem to be the go-to people for 13-pin synth access.
The LGX series are all solid guitars, with Seymour Duncans in them and a piezo pickup also for "acoustic style sounds". The bridge pickup is supposedly unique to Duncan, a modified "Custom Custom" that Seymour cooked up himself for this axe; some say it is a Custom 5. The neck has an SH 2 Jazz.
There's some freewheeling string on the Pickup board wherein the Duncans get dumped on by a three-starred member (I don't know how much weight to assign), and one other thread where a guy hates the jazz pup, but I have to say, many impressions around the net are that the LGXT and LGX-SA are some of the best guitars around.
Any thoughts from this group, especially anyone that's played one of these? BTW I wonder if the nod to jazz might be a marketing effort to draw in the older crowd who perhaps can often afford $1700 for a guitar. (Oh, I see that the Duncan people anticipated that angle: "Don't let the name fool you; it's not only great for jazz, but also country, blues, funk, classic rock and heavy rock." LOL! )
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