Eric Dahlberg
Member
Re: Improving Resonance in a Stratocaster
I think you're probably right on all counts, though the neck inserts that ganzosrevenge brought up should solve all possible neck joint problems, even a loose pocket with lots of space on the sides. According to Onyx Forge, a bolt-on neck with the inserts is every bit as solid as a glued neck or neck-through.
Guitar Fetish's site makes a point about the ball ends of the strings needing to sit deeper into the block, closer to the springs, in order to gain the most benefit of the block's mass. This makes a lot of sense to me, not only in regards to the mass of the block but also because the strings are then tied closer to the springs and thus, ultimately, the body. Personally, I'm going for a Jeff Beck trem style so I need my bridge to be floating - not to mention that I've been playing floating trems for over 20 years and am more comfortable adjusting to them than not - and would really like to hear more of these kinds of tips that benefit a floating trem. For example, it seems to me that something could be done with the claw to make it more solid.
btw, has anyone here ever tried a brass block or even an all brass trem? According to the physics charts I've looked up, brass is considerably more dense than steel.
I've got a '69 Strat I purchased new. It's great for reference, not to mention playing. I've only had the neck off twice, but I noticed the perfectly flat surfaces where the neck and body contact each other. I think that's important.
Also, I don't think taking the neck off very often is a good thing.
I think you're probably right on all counts, though the neck inserts that ganzosrevenge brought up should solve all possible neck joint problems, even a loose pocket with lots of space on the sides. According to Onyx Forge, a bolt-on neck with the inserts is every bit as solid as a glued neck or neck-through.
Guitar Fetish's site makes a point about the ball ends of the strings needing to sit deeper into the block, closer to the springs, in order to gain the most benefit of the block's mass. This makes a lot of sense to me, not only in regards to the mass of the block but also because the strings are then tied closer to the springs and thus, ultimately, the body. Personally, I'm going for a Jeff Beck trem style so I need my bridge to be floating - not to mention that I've been playing floating trems for over 20 years and am more comfortable adjusting to them than not - and would really like to hear more of these kinds of tips that benefit a floating trem. For example, it seems to me that something could be done with the claw to make it more solid.
btw, has anyone here ever tried a brass block or even an all brass trem? According to the physics charts I've looked up, brass is considerably more dense than steel.
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