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Peaveyologist
I've been playing with this for about three hours now, and I gotta say I love it. The simple inclusion of high and low eq controls gives it a versatility that my single-tone-control units can't match. By placing the "low" control at about the 10-11 o'clock position, I can pretty much duplicate my Arion Tubulator. But the BM definitely has a richer, more defined tone than the Tubulator. I still like the Tubulator, but I like the BM more.
Let me say at this point, that my experience with distortion boxes is limited to a ProCo Rat, (late version), Boss DS-1, (pre and post Spina-fied), Arion Tubulator, Yamaha FX-500 and MagicStomp II, and that which is built in to my Johnson J-Station and Hughes & Kettner amp.
I run my test with the tone control rolled almost all the way down. Somewhere between 0 and 3. I do that because it seems to me that a distortion pedal, of any kind, generates it's own high-frequency harmonic content. By rolling back the tone control, I get a much cleaner, less piercing tone. As I play up and down the neck, there's almost a "wah" affect.
The High and Low tone controls allow you to dial in a fairly heavy grunge, or a subtle singing tone. Its hard to describe other than to say, its versatile. The pedal itself has very heavy construction. Seems fairly bullet-proof. Nice smooth controls too. You won't "bump" these out of position.
And one last little plus: the second mixer output, with "cabinet emulation" is like a second pedal built right in. By running this output direct to my board, I can mix it in, in whatever degree I want, to get a really cool balance between my J-Station and the Bad Monkey direct.
I love this pedal. Nice price too at around $40.
Artie
Let me say at this point, that my experience with distortion boxes is limited to a ProCo Rat, (late version), Boss DS-1, (pre and post Spina-fied), Arion Tubulator, Yamaha FX-500 and MagicStomp II, and that which is built in to my Johnson J-Station and Hughes & Kettner amp.
I run my test with the tone control rolled almost all the way down. Somewhere between 0 and 3. I do that because it seems to me that a distortion pedal, of any kind, generates it's own high-frequency harmonic content. By rolling back the tone control, I get a much cleaner, less piercing tone. As I play up and down the neck, there's almost a "wah" affect.
The High and Low tone controls allow you to dial in a fairly heavy grunge, or a subtle singing tone. Its hard to describe other than to say, its versatile. The pedal itself has very heavy construction. Seems fairly bullet-proof. Nice smooth controls too. You won't "bump" these out of position.
And one last little plus: the second mixer output, with "cabinet emulation" is like a second pedal built right in. By running this output direct to my board, I can mix it in, in whatever degree I want, to get a really cool balance between my J-Station and the Bad Monkey direct.
I love this pedal. Nice price too at around $40.
Artie