Hot _Grits
Buttery Toneologist
So, I was visiting one of the few solely-owned guitar stores in my country whilst on my band's short tour over the new year period, and I came across something very interesting...
Whilst I was checking out a minty brownface vibrosonic and a very nice Heritage 335, the local shop owner handed me a PRS. Only, it wasn't. It certainly made me double-take. I swear, this thing was as close to a real Custom 24 as you could imagine: weight, dimensions, incredible flame top in emerald green, bird inlays (maybe a little fat if I was picky), trem bridge... -in fact, the only things that gave it away were non-prs tuners, some small logo on each of the zebra pickups, the absence of the PRS logo and a glossier, rounded nut. Much closer than the various Asian PRS-alikes I've encountered before, and some minor work away from being a complete counterfeit (I could imagine Ed Roman going to town with a containerload of these guitars). They even hand wrote the serial number in the PRS style.
Apparently the brand is called Atlas, and they are made somewhere in Thailand. He was retailing them for under half the price of a base level PRS down here. I believe they are already getting legal letters from PRS, and will be stopping the birds.
And the guitar itself knocked me out. It was cosmetically and tonally everything you could expect from a PRS. Everything was beautifully executed, the playablity was flawless, and even the hot-ish pickups sounded good (I'm not a great fan of non-McCarty PRS pickups, to be fair). I swear, if someone had blindfolded me and handed me this guitar, I would have told them it was one of the best PRSi I've ever played out of the 40 or so that I have encountered. I swear it was better than my old CU22, and it was defintely as good or better than any new one I've played over the last year.
So, why is all of this interesting to me? -well, for me, that guitar represents something of a tipping point. Asian manufactured guitars have been great for years, but have generally suffered when compared to US counterparts. Usually, they fall into the category of 'nice, but lacking in a few small areas', like finish or overall resonance.
But this guitar was different. I'm talking about a guitar that takes on one of the highest quality production manufacturers out there at their own game and equals/tops them. Honestly, I can't imagine any hardened PRS-ite picking any holes in this guitar as far as tone, finish and playability go.
They've broken through. A half price PRS in all but name. We're in for some interesting times ahead...
Whilst I was checking out a minty brownface vibrosonic and a very nice Heritage 335, the local shop owner handed me a PRS. Only, it wasn't. It certainly made me double-take. I swear, this thing was as close to a real Custom 24 as you could imagine: weight, dimensions, incredible flame top in emerald green, bird inlays (maybe a little fat if I was picky), trem bridge... -in fact, the only things that gave it away were non-prs tuners, some small logo on each of the zebra pickups, the absence of the PRS logo and a glossier, rounded nut. Much closer than the various Asian PRS-alikes I've encountered before, and some minor work away from being a complete counterfeit (I could imagine Ed Roman going to town with a containerload of these guitars). They even hand wrote the serial number in the PRS style.
Apparently the brand is called Atlas, and they are made somewhere in Thailand. He was retailing them for under half the price of a base level PRS down here. I believe they are already getting legal letters from PRS, and will be stopping the birds.
And the guitar itself knocked me out. It was cosmetically and tonally everything you could expect from a PRS. Everything was beautifully executed, the playablity was flawless, and even the hot-ish pickups sounded good (I'm not a great fan of non-McCarty PRS pickups, to be fair). I swear, if someone had blindfolded me and handed me this guitar, I would have told them it was one of the best PRSi I've ever played out of the 40 or so that I have encountered. I swear it was better than my old CU22, and it was defintely as good or better than any new one I've played over the last year.
So, why is all of this interesting to me? -well, for me, that guitar represents something of a tipping point. Asian manufactured guitars have been great for years, but have generally suffered when compared to US counterparts. Usually, they fall into the category of 'nice, but lacking in a few small areas', like finish or overall resonance.
But this guitar was different. I'm talking about a guitar that takes on one of the highest quality production manufacturers out there at their own game and equals/tops them. Honestly, I can't imagine any hardened PRS-ite picking any holes in this guitar as far as tone, finish and playability go.
They've broken through. A half price PRS in all but name. We're in for some interesting times ahead...
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