GuitarStv
Sock Market Trader
Re: Is there a reason why people use a Shure dyanmic to record amps?
I think that maybe I'm being misunderstood . . .
I'm not talking about eliminating frequencies with huge EQ adjustments, I'm talking about doing a few 2-4 dB cuts to certain frequencies, or using mics that very slightly enhance the sounds that I want from the different instruments. That seems to me to make each instrument pop out clearly, but also keeps the song together as a whole. It would be ridiculous to say pick three frequencies for the guitar, and cut everything else to zero, or say low-pass filter only the stuff below 100Hz for the bass guitar.
It's possible to make a guitar/bass/drum sound fantastic on its own, and then when you put it with the rest of the band instruments it sounds like crap. In my mind that's where all the creativity involved in mixing comes in . . . you have to pick and choose what to modify to make the whole song sound better. The finished product might sound crappy solod, but in the song context it works . . .
Again, this is just the approach that I take.
Well, in a sense, no.
In a recording - ideally and in most cases - you want each instrument to sound like itself. That is, you want to create the best sounds you can during performance and get them down to track as accurately as possible.
EQ in terms of creating sonic space should be approached from the angle of doing JUST ENOUGH to get each instrument out of each other's way to the point where you've achieved the amount of clarity you want.
I've heard recordings where everything was so heavily shelved and EQ'd that each instrument sounded totally disconnected and separate from each other, and the whole thing in those cases always sounds extremely empty and artificial.
A certain amount of incidental, natural frequency overlap is a good thing. It makes a recording sound like a band, among other things.
I think that maybe I'm being misunderstood . . .
I'm not talking about eliminating frequencies with huge EQ adjustments, I'm talking about doing a few 2-4 dB cuts to certain frequencies, or using mics that very slightly enhance the sounds that I want from the different instruments. That seems to me to make each instrument pop out clearly, but also keeps the song together as a whole. It would be ridiculous to say pick three frequencies for the guitar, and cut everything else to zero, or say low-pass filter only the stuff below 100Hz for the bass guitar.
It's possible to make a guitar/bass/drum sound fantastic on its own, and then when you put it with the rest of the band instruments it sounds like crap. In my mind that's where all the creativity involved in mixing comes in . . . you have to pick and choose what to modify to make the whole song sound better. The finished product might sound crappy solod, but in the song context it works . . .
Again, this is just the approach that I take.