Re: It's time.
Sit down and take a long deep listen bro...a few issues to think seriously about. I'm being real and not going to hate.
#1 Major in Pop-music? This sounds skeeby 15 different ways from Sunday. If "pop" music doesn't work out you are likely screwed in the real world. Before you do this, carefully consider:
- Are you REALLY in this permanently and forever? No matter what.
- Is the content of this thing REALLY useful? Business, teaching, performing etc...
- What are the success rates of graduates in various areas?
I'm not going to say "have a fall back plan" because that sucks. But I am saying that by careful planning you can seriously hedge your bets. Business major, pop music minor. Music ed major, pop performance minor. Etc....
At the end of the day, performance success is about practice, playing, getting gigs, and connecting. Formal education is not about most of those things usually.
If you are spending the money on college (whatever the cost is there) make it an investment, and make it a wise one. You KNOW music is likely going to have some lean years, or be a wash. Balance the investment. It does not have to be a ALL IN or FAIL proposition, and it doesn't have to be a PREPARE FOR FAILURE to the exclusion of SUCCESS kind of thing. Most people will present the latter, however, and the road to ruin is littered with the others. Balance dude, balance....
#2 Someone said it - Play and write good songs. Perform well. NOTHING else matters. If the gear is reliable, you are successful. The audience is not 1 in 100 guitar players. If image is key, investing in refinished Headstocks would be a better use of the money. Most real working musicians I have met do not care about the gear beyond reliability and good sound (good sound is not Uber-Tone). That's how they GOT to be that. They played/performed/connected. They didn't spend all day gear-heading.
Old Dear, as viewed by all, is honestly a beat to death POS. You would NEVER buy that hanging in a store if it wasn't a famous bro's guitar, and I bet Wah Wah is the only person who likes the way she feels. Mincer plays through a fricken Tech 21. Seriously? What does Wattage have? A strat and a Marshall? Woo Hoo. Those three guys play more than ANYONE here. Hell, even Seymour is banging on a beater Schecter C-1 that cost less than the Antiquities in it. See a trend here? (No offense guys - trying to make a point)
#3 If you are going to get a good guitar, do it. Everyone should have one. But I will say this: Get the guitar that speaks to YOU. This needs to be the guitar that you will have even after you lose a hand. It is not your #2, your backup or anything. It may not even be your stage guitar. If that's the guitar you are getting, get it and don't worry about the price. But if you EVER trade it - you effed up. It should be your sig guitar. The one you will play even when no one is looking, or the one you will play and don't care who is looking or listening because it is you and you make music with it.
#4 As a serious PRO - you need to consider the value of numerous types of gigs. Seriously consider the value of the midline high utility guitars:
- Ibanez RG with HSH and Floyd for almost anything (Pop, Rock, Metal, Blues, Jazz)
- Strat, for any Pop, Blues and total single coil needs
- Les Paul Studio or PRS SE for the dual Humbucker/Mahogany Pop, Metal, Rock thing.
- An Epiphone Sheraton or Dot for old skool Blues, Rock, Pop
- Jagstang etc... for your quirky pop funk grungey whatever
- Acoustic Electric for solo acoustic time
I could play all kinds of gigs with maybe any three of those in pairs:
Metal - RG + PRS
Rock - RG + LP Studio, or PRS + Dot (depending)
Pop - RG + PRS, RG + Jag
Blues - Strat + Dot
Jazz - Dot + PRS
An LP, a Strat, and a Dot will take you everywhere you need to be, and fit in.
Of course, if country is on the Agenda, Tele might be good. Think utility. Then go for the fantasy.
I'd rather have a MIM Strat with a splitable hum, a LP Studio with Split buckers, and a Dot with P-rails than a real Gibson 33? if I were a serious working musician. I need a basic sound and style for the gig.
Not one thing i have ever heard you post here though, says 335 style to me.
Just a few thoughts - good luck bro.