LLL
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It is pretty much a wah with a knob instead of a pedal to give the cocked wah sound ala Lifeson May, Walsh
None of those guys (Alex Lifeson, Brian May, Joe Walsh) do the cocked wah thing.
It is pretty much a wah with a knob instead of a pedal to give the cocked wah sound ala Lifeson May, Walsh
None of those guys (Alex Lifeson, Brian May, Joe Walsh) do the cocked wah thing.
May’s knowledge of the appropriate usage for the huge layers of harmonies came in handy while writing guitar parts alongside the likes of Mercury and the rest of the band. My favorite technique May utilizes is called a Bell Chord, often referred to as a cascade. Often employed in big band horn arrangements and barbershop groups, it is simply a chord that is arpeggiated and staggered between instruments creating the famous “cascade” sound. May’s guitar lines would often exploit this effect, creating interesting guitar textures that were not often heard in rock.
More important than even his harmonies though, were the interesting usage of timbres to create unique harmonic effects. For instance, entire guitar harmonies would oftentimes be recorded with a wah pedal left in a fixed position for extra bright and over-the-top filtered musical textures. Sometimes, people mistake those guitar parts for trumpets or trombones. Combining this approach with Freddie Mercury’s playfully written music was part of the recipe for Queen’s unprecedented success.
Dave was the Q Zone delivered yet?
For instance, entire guitar harmonies would oftentimes be recorded with a wah pedal left in a fixed position for extra bright and over-the-top filtered musical textures.
But where are you getting the idea that Alex Lifeson or Joe Walsh do cocked wah?
Brian May tone right off the bat! (I'm more into ZW and KK tone, but it's all great with this thing)