L
Lewguitar
Guest
My buddy Charlie, who is a terrific guitarist and recording engineer who writes reviews for various audio mags, has a nice MIM Strat. He asked me to see what I could do to make it into a professional ax.
The guitar itself played OK (typical buzzes and some fretting-out on wide bends) and has a nice resonance. But the pickups were dreadful.
I pulled everything out, put the pickups and parts in a zip-lock, and started from scratch. I was surprised though that the pots were 500K mini pots.
So I installed my Ultimate Strat Kit: 250K CTS master volume and tone control, with .02 Sprague Orange Drop cap connected to the middle terminal of the volume pot and middle terminal of the tone pot (the "50's mod" seen in some 50's Les Pauls, to retain highs) and a Fralin Blender pot to allow blending the neck pickup and bridge pickup or get all three pickups on at the same time. And a new high quality 5 way switch.
I went with one of my favorite sets of pickups:
Duncan Twangbanger bridge
Duncan APS-2 flats for the neck and middle.
I've tried the Twangbanger with APS-1 (raised and staggered poles) and APS-2 (flat poles) and, IMO, the APS-2 is a better sounding pickup for this application. The APS-2 is not quite as bright but it's fuller sounding than the APS-1.
I did a little fret leveling and recrown and polish too. That makes such an improvement in almost any guitar and it made a HUGE improvement in this particular ax. A good set-up - makes all the diff in the world.
Anyways, Charlie flipped! The new pickups and wiring harness made this cheapie MIM Stat (he paid $75. used for it - a steal!) into a totally professional sounding ax.
It's both brighter and more vintage sounding than it was, while at the same time ballsier than a stock Strat like my '63.
To me, the Twangbanger doesn't really sound like a Tele bridge pickup - but it does have great mids and a nice plucky growl for soloing. However, it's not steely bright like most Tele pickups. It's not super twangy in that steely Tele kind of way at all.
Instead, it's warm, thick and plucky and pushes the amp beautifully for soloing.
And the APS-2 pickups have the highs you need for Hendrix and SRV type tones without sounding thin and overly glassy. They sound thicker than SSL-1's but still have enough glass to the treble to sound like vintage Strat pickups.
I'm very happy with the way Charlie's guitar turned out. And Charlie was practically doing back flips after trying out his "new" guitar!
The guitar itself played OK (typical buzzes and some fretting-out on wide bends) and has a nice resonance. But the pickups were dreadful.
I pulled everything out, put the pickups and parts in a zip-lock, and started from scratch. I was surprised though that the pots were 500K mini pots.
So I installed my Ultimate Strat Kit: 250K CTS master volume and tone control, with .02 Sprague Orange Drop cap connected to the middle terminal of the volume pot and middle terminal of the tone pot (the "50's mod" seen in some 50's Les Pauls, to retain highs) and a Fralin Blender pot to allow blending the neck pickup and bridge pickup or get all three pickups on at the same time. And a new high quality 5 way switch.
I went with one of my favorite sets of pickups:
Duncan Twangbanger bridge
Duncan APS-2 flats for the neck and middle.
I've tried the Twangbanger with APS-1 (raised and staggered poles) and APS-2 (flat poles) and, IMO, the APS-2 is a better sounding pickup for this application. The APS-2 is not quite as bright but it's fuller sounding than the APS-1.
I did a little fret leveling and recrown and polish too. That makes such an improvement in almost any guitar and it made a HUGE improvement in this particular ax. A good set-up - makes all the diff in the world.
Anyways, Charlie flipped! The new pickups and wiring harness made this cheapie MIM Stat (he paid $75. used for it - a steal!) into a totally professional sounding ax.
It's both brighter and more vintage sounding than it was, while at the same time ballsier than a stock Strat like my '63.
To me, the Twangbanger doesn't really sound like a Tele bridge pickup - but it does have great mids and a nice plucky growl for soloing. However, it's not steely bright like most Tele pickups. It's not super twangy in that steely Tele kind of way at all.
Instead, it's warm, thick and plucky and pushes the amp beautifully for soloing.
And the APS-2 pickups have the highs you need for Hendrix and SRV type tones without sounding thin and overly glassy. They sound thicker than SSL-1's but still have enough glass to the treble to sound like vintage Strat pickups.
I'm very happy with the way Charlie's guitar turned out. And Charlie was practically doing back flips after trying out his "new" guitar!
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