beandip said:Alright, I wrote a song, but it's not fitting my voice, so I figured I need to drop it down a step. I need to know what the new chords are.
D-C
B#m-Bbm
Em-Dm
A-G
G-F
C-Bb
thanks for the help.
What he said. Going this route would actually be easier, since you could just stick a capo on the first fret (or second if you feel like experimenting with keys) and play all the same fingerings.Quencho092 said:you could either drop the song a step or raise it. You could sing a higher key but at a lower octave and it'll be easier for your voice. Move all of those up half a step too and have it a go.
C/Bbm/Dm/G/F/Bbbeandip said:Alright, I wrote a song, but it's not fitting my voice, so I figured I need to drop it down a step. I need to know what the new chords are.
D-
B#m-
Em-
A-
G-
C-
thanks for the help.
MikeRocker said:C/Bbm/Dm/G/F/Bb
There is no such thing as B#. When you put a "-" after chords, it means minor.
OK, technically you can call C B#, but by the same token D# is slightly higher than Eb....in the real world, dealing with musicians, you're better off simplifying, not going into deep music theory. If you are calling out chords to musicians and say B# minor, they're gonna think you don't know what you're talking about. And technically, you could use the key of C#, but practically, you're better served to use the key of Db. Along the lines of B#, you could call a C chord a Dbb or an F a D###, but why make it hard on yourself? And in the original series of chords he spelled out he had a C. You generally would not have a C and a B# in the same chord series. Why spell a chord B#-D#-F## when you can spell it C-Eb-G?drp555 said:I wouldn't say there's no such thing as B#...it's just an enharmonic of C... for instance, in the key of C# major, with 7 sharps, there is a B#..., there is also a E# which is the same as F.... C#, D#, E#, F#, G#, A#, B#.....
Well then, Bm down a step is Am. Kind of makes the previous 2 posts moot. :laugh2:beandip said:actually, I messed up, it's not supposed to be B sharp. It's supposed to be a regular B. And like I said, oh well, I cant sing the damn song anyway.
MikeRocker said:OK, technically you can call C B#, but by the same token D# is slightly higher than Eb....in the real world, dealing with musicians, you're better off simplifying, not going into deep music theory. If you are calling out chords to musicians and say B# minor, they're gonna think you don't know what you're talking about. And technically, you could use the key of C#, but practically, you're better served to use the key of Db. Along the lines of B#, you could call a C chord a Dbb or an F a D###, but why make it hard on yourself? And in the original series of chords he spelled out he had a C. You generally would not have a C and a B# in the same chord series. Why spell a chord B#-D#-F## when you can spell it C-Eb-G?