Laney Ironheart 120 NAD - notes from a non metal player

ebagjones

New member
Just took possession of the new Ironheart 120 head. I’ve had two Laneys in the past, a 50 watt Lionheart (amazing probably my biggest regret of selling since it’s no longer made and hard to find used) and also the GH50 (also amazing). Over the last few years I’m increasingly playing more and more prog and instead of doing it old school with a fuzz pedal into a loud clean British amp, I’ve been using amps with high gain for that harmonically rich high gain lead tones. Based on my very positive history with Laney products, you would think I would have played more of their amps but there’s always been some sort of a snobbery about them from me, I don’t know why and I know it’s irrational, but it was present nevertheless. Probably why it took me so long to pick up one of the Ironhearts even though the demos all sound great.

Anyways, I haven’t had a ton of time with it, but it’s made an extremely positive first impression.
- Sounds: I’ve read some things saying this is tricky to dial in. This may be how my ears are tuned, or the fact that I use Jensen Raptor speakers and Fane F70 speakers instead of the recommended speakers, but I immediately was able to dial in pleasing sounds. Even now the knobs are pretty close to noon all around and only the treble shift is pulled. Very smooth lead tones with just the right amount of gain, and the rhythm channel is equally good at crunch or lead tones for a different, leaner flavor. The cleans could be considered a bit sterile I guess but for the music I play, needing big bold cleans even with hot humbuckers, it’s a godsend.
- Build quality: this is a bit more of a mixed bag, at least from first impressions. On one hand, the side handles make this extremely heavy head easy to move, and the presence of two of the largest transformers I’ve ever seen (one torroidal) make it seem like something shooting well beyond its price point, but the knobs and especially switches feel a bit flimsy. Realistically though I don’t know if they are that much worse than my JVM though, so that could be just me being picky.
Features: This is largely TBD. I haven’t tried the DI output yet. I will say this, the layout and controls, particularly the dynamics and tone knobs, allow you to dial in your tones with the EQ knobs and then just tailor it from there with those two knobs. The built in boost seems fine to me, despite reading online several places it was disappointed, but it also takes my own boosts just as well, particularly sounding great with an EchoPlex style boost. The reverb seems fine, but I mostly use ambient delays for this purpose instead of reverb so pickier ears may not like it.

Overall seems to be an incredible amp not just for its price but in categories of amps much more expensive that I don’t think sound half as good (here’s looking at you Mesa Badlander and the entire Revv lineup). In the demos I’ve heard, the amp maker that most seems to fall in that same voicing but certainly higher build quality would be the KSR’s, and, if anything that makes me want to grab an Orthos as soon as I can for comparison.

Last note on the boost - the one thing I will say is that the mids are so perfectly voiced that it seems to slightly favor boosts with flatter more neutral mids, which is why I think it like it with my SpeakEasy and E-Plex setting on my ZIO so much. I wish I still had my Keeley Red Dirt because I have a feeling that would be a great match.
 
great review! never tried the 120 but the 50 i tried sounded great. seems like this has more features though?
 
great review! never tried the 120 but the 50 i tried sounded great. seems like this has more features though?

Unfortunately I’ve never tried the other IronHearts to compare it to, but it does seem to have a comprehensive set of features to satisfy anybody looking for serious pro gear. I didn’t stress enough how much I love Laney’s global post-EQ tone control they put on their amps. I’m very untechnical so I don’t know how it differs from a presence control but I have really liked the way it lets you fine tune the sound on all (now 3) Laney’s I’ve had. I wish more brands would integrate it. I mean we kind of get it with the Marks but it’s much more fiddly as opposed to a single global control.
 
I've had my Ironheart for nearing a decade. The switches on mine are large and metal; I never thought they were questionable. Thought on the Ironheart 60H that I own.

* Its easy to get power tube saturation. Turn up channel volume and turn down wattage (master volume) control. You can use this to get all kinds of mid gain and classic rock sounds. Doing this on the clean channel lets you really hear the effect by itself.

* The boost control does the same thing as the channel gain. They are additive clean boost. Any combination up to about 14 is the highest gain the amp will get. Go above that and it starts to compress in an unfortunate way. The boost allows you to fine tune different switching gain levels, but the boost doesn't add any character or do anything different than the channel gain(s).

*The lead channel is slightly smoother than the rhythym with some mid push. Some of the better lead sounds come from the rhythym channel in conjunction with power tube saturation.

*The FX loop works well, is clean, does not have any weirdness.

*Dynamics/tone are the same thing as resonance/presense on most other brands.

*The amp has a "modern" tone and somehow eliminates all the mid range "honk" frequencies that amps from the 80s/90s had. That said it still can get good mid range representation. Its just not congested in the mid frequencies. It generally has an open sound with a deep bottom.

Negatives:

*The speaker simulated DI out isn't great, but it can be defeated on the line out and run into an IR pedal.

* For saturated lead tones, I feel it needs a boost pedal like the SD-1.
 
I've had my Ironheart 120 since the beginning of last year or so.. and I think it's fantastic! The tones are out of this world. It's super easy to dial in and the build quality (to me) is really solid. Switches are big chunky toggles with a nice solid feel/click to them & though the knobs are plastic (like most amps) they're actually pretty solid feeling as well with a sort of rubberized feel to them ..not cheap feeling at all. They work well with reassuring clicks for the push-pull EQ & no give or wobble just feel really solid pulled or pushed. I'm sure there are better made amps out there but for the price this one's quality is more than excellent imo...

I play metal....doom/death with my band ...and on a more personal level (my YT stuff) I like to shred a lot... :D

This amp more tan cuts it for anything add 80's metal, prog, thrash, black, death metal, modern stuff/djent .... You can get incredibly thick and brutal rhythm tones out of it & absolutely fantastic lead tones too...I mean mind-numbingly good ones...without having to spend all day dialing them in..

I personally think the onboard boost is awesome. I'm not really big on overdrives and boosts, preferring to plug straight into my amps with some reverb and delay in the loop at the most, but I use the amps boost almost all the time , cause it sounds & feels amazing ...pushing it up too high does make things a bit farty, but if you dial it in right with your ears (not your eyes) it'a extremely usable/pleasant imo...

Anyway....here's few lead clips with my Ibanez SA & the amp's DI out :bigthumb:





 
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