Laney TT50 Combo Review

barbarianbrute

New member
alright i couldn't resist. the laney tt50 jumped up and bit me. all the specs looked just right, but i never actualy played it - blind faith. so it came in today and i played it for a couple of hours. this won't be a complete review until i spend a few weeks with it, but here's a preliminary assessment.

why should you care? well, because this amp must be underrated and overlooked. i don't know why because it's such a great sounding amp. it's a good build and it looks cool too. the construction is solid and good quality components are used. the handle is very sturdy and the amp isn't but about 60 lbs, so you can carry it around pretty easily. there are two vent slots on the top and a nice looking grill. the laney logo stands out boldly in huge white letters. the back is covered by a steel mesh and it's loaded with a celestion speaker, two el34s and 12ax7 preamp tubes.

the spring reverb is pretty good, but i prefer the reverb on fenders and mesas. it's better than the digital reverb on my marshall jvm for sure. maybe there's something cool about it though because the reverb doesn't get in the way. it kind of blends in nicely.

the amp is equipped with 3 channels: clean, crunch, and crunch 2 (i guess). there are some cool buttons you can use to shape your sound. each of the gain channels has a "modern" button that gives a little modern edge to your tone. with it off it sounds more like classic distortion.

channel 2 seems to really shine. with the gain around 12 o'clock, you don't get a lot of crunch. it sounds a little dirty kind of like texas blues or something. once you get the gain up around 1-2 o'clock, you start getting some real nice british crunch. with the drive full on, you get a solid brown sound.

it's weird, but this amp sounds like a cross between a marshall and peavey 5105. it's very brown sounding. it's definitely a british tone, but much more articulate than a marshall. even more articulate than the jvm.

the third channel was kind of lackluster at first. i immediately bonded with the crunch 1 channel, but this one was a little different. like crunch 1, it doesn't start getting real gainy until around 1 o'clock. full on gain is a little more distorted than the crunch 1 channel, but there is a modern button and a boost button that can take you beyond to a pretty heavily distorted tone. there's an expand button that smooths out your tone in high gain, but i haven't really figured out how to really use it yet.

there are a few other useful tone buttons, but i have yet to discover those. one thing about this amp is that it's the first time i've played an amp where i felt like it doesn't scream for high gain like say a marshall does. it sounds very good at medium and low gain settings. laney seems to favor rock distortion mostly. with the amp alone, it is definitely a hard rock amp. not for metal without a pedal though.

the clean channel is immaculate. you can turn it up all the way and it won't get dirty. very sparkly and chimey. i really like this clean channel a lot, but it's hard for me to tame since i don't play clean very often. this clean is up there with mesa and fender whom i think have hte best cleans.

you can get a really nice gritty clean with crunch 1 if you put the gain at 10-11 o'clock. very very good for floyd and srv type stuff.

i tried a few distortion pedals on this amp but wasn't impressed a whole lot with my metal muff or jeckle and hyde. my ds-1 turned out pretty good once i added more bass. the ds-1 was still pretty british sounding, but smoother than the amp distortion. i'm starting to like my $25 ds-1. i haven't even got any mods on it yet.

overall, i'm surprised that i bonded with this amp so quickly. furthermore, i'm surprised how much i actually enjoyed playing with a lot less gain. iron maiden, evh, eric johnson, malmsteen, motorhead... you name it and this amp can nail it. i'm pretty darned impressed and it's quite possible that i'll be keeping this amp.
 
Re: Laney TT50 Combo Review

Glad you liked it, but yeah, spikey pedals will not go well with this cicruit, i.e. Metall Muff and the likes. Simpler circuits will always do it, if you want your own thing to be going, you've just learned it yourself with DS.
 
Re: Laney TT50 Combo Review

so i've had this amp for the entire weekend and you know what that means... my fingers are too sore to type! i decided to post a more experienced review now that i have used extensively for a few days.

let's start with the cleans. the clean on this amp is immaculate and could probably satisfy the most picky fender guys. i don't use the cleans a whole lot except for practicing fast runs and a few songs, but i can tell what good cleans are. you can crank this amp all the way and not get any break up. it's kind of jangly and chimey, but there's also a kind of pleasantness to it. it's not exactly plain, but subtle. once the tubes warm up for about 15-20 minutes, it's something else. great cleans.

the second channel stays pretty darn clean until the gain is around 12 o'clock, but then it doesn't get that dirty until around 3 o'clock. it's more like texas blues at that point. full on gain can though can pretty much handle any classic rock and goes into eric johnson and yngwie territory. it's a very sweet and punchy british tone that might make some marshall owners a bit jealous. i've heard some reviews saying that they would have liked more top end, but this amp has plenty. it's not quite as trebly as the marshalls can get, but it's perfectly balanced IMO. i really don't like thin trebly tones anyway - to me that's more like for country music and stuff. the crunch channel is very nice and extremely versatile. it's sublime for a blues kind of tone or classic rock.

now the distortion channel is quite an overlap of the crunch channel until about 1 o'clock, then it starts picking up where the crunch left off. the thing is that it doesn't go that much further, just slightly more grit and bite. you can engage the modern button to get a tiny bit more drive and smooth out the tone a tiny bit too. the boost button is slightly louder, but also seems to add just a bit more drive. fully engaged with the boost and modern buttons, full on drive on this channel really does take you into metallica territory.

you can't go beyone metallica territory without a pedal, but then that's pretty heavy anyway. old-school thrash is about the best you're going to get, but it's top-notch quality thrash though. it's an unmistakable british tone with a really warm and organic quality.

i don't know if dr.mavashi was right-on in his statement, but i can't say this amp is really great with pedals. my jeckle and hyde really didn't do it for me on this amp, and that pedal usually works well for me. the metal muff didn't really do it for me either, but suprisingly the metal zone seemed just a bit better than on my marshall. i can't wait to try out my new msd overdrives on this amp.

so far i'm really liking this amp, but it kind of makes me wish i had my mesa back. then again, it can do what hte mesa can't - get some real british grit going.

the reverb is good, but not great. it's definitely better than any digital reverb i've heard, but still not as good as mesa or fender. it does blend very well with the tone though.

overall i'd give this amp 4.5 out of 5. i don't know why anyone would bad-mouth this amp because it really is a great piece of equipment. thumbs up to laney on this one IMO. i hope another one of our forum bros gets one of these amps so they too can testify to the greatness of laney. i'd put them right up there with marshall and fender.
 
Re: Laney TT50 Combo Review

I am afraid you are about to becom a convert to Laney. Its the amp that metal was invented on anyways. I would recomend this, when you get your pedals set the drive farily low, and level fairly high on the OD, plug in to a second channel with drive a bit passed 3 o'clock both modern and boost buttons on, something tells me you will get a very nice high gain but very transperent, tight tone.
 
Re: Laney TT50 Combo Review

I am afraid you are about to becom a convert to Laney. Its the amp that metal was invented on anyways. I would recomend this, when you get your pedals set the drive farily low, and level fairly high on the OD, plug in to a second channel with drive a bit passed 3 o'clock both modern and boost buttons on, something tells me you will get a very nice high gain but very transperent, tight tone.

i don't know about that yet. though it's very comprable, i'm starting to want my mesa back. the 5:50 is the only amp i've had so far (i don't even know if you guys know how many amps i've actually been through) that i've liked in every aspect besides the laney. that's going to be tough call, but i'll wait 2 more weeks before deciding.

i was wondering about the level knobs on pedals. some of them seem to work more like volume knobs while others seem to actually affect the tone. what's up with that?
 
Re: Laney TT50 Combo Review

Level is not exactly a volume, but more of strenght of the signal so if you have level all the way up and drive barely up, it means that you clip(gain/distort) the signal just a bit and then with the level really make your pre-amp multiply your gain, the more level on the OD the harder you push the pre-amp, that's the best way I can explain this. Thats on the OD I dont know the behavior of Dist pedals.
 
Re: Laney TT50 Combo Review

so a high level can push the preamp more and give me more tube saturation? is that what tube saturation actually means?
 
Re: Laney TT50 Combo Review

so a high level can push the preamp more and give me more tube saturation? is that what tube saturation actually means?
Sort of yeah, I mean you its really the ballance of drive/level on the pedal and pre-amp gain, once you move past 12 o'clock on the MV most people would agree that you would need to take some pre-amp off, so that you dont end up sounding muddy/spikey/brittle etc. The equation is really complex, its your amp and pups as a base but then you can be really surprised with what tubes, pedals and speakers can do to represent your pups and amp. Thats in IMHO. I believe this is why you collect stuff, pups, speakers, tubes, pedals, these can really make your same guitar+amp combo sound different, to know your instrument that is your guitar and amp is to know how they react to different speakers, pups, tubes, pedals, once again IMHO.
 
Re: Laney TT50 Combo Review

there is one thing i noticed about my laney: there is a SLIGHT icepick on the high e string. it's not enough where i'd try to dial it out, but it is noticeable after some time.

i'm wondering if it can be solved with the private jack speaker i've been thinking about. what's the deal with the classic lead 80's they come stock with? is that something inherent in the amp or the speaker?
 
Re: Laney TT50 Combo Review

there is one thing i noticed about my laney: there is a SLIGHT icepick on the high e string. it's not enough where i'd try to dial it out, but it is noticeable after some time.

i'm wondering if it can be solved with the private jack speaker i've been thinking about. what's the deal with the classic lead 80's they come stock with? is that something inherent in the amp or the speaker?
Well once again, I think that the spike in highs is the inherent quality to all high gain multi channel amps, I think there is just something in all of that circuit madness. So I dont know maybe its the speaker thing maybe it could be solved by an EQ pedal, maybe it could be done with a pup or even a basswood body guitar, maybe it just your attack and the pick you use, who knows .... I prefer single channel amps, and get my "channels" with overdrives, pups, volume on the guitar and where I pick (over the bridge pup, middle or over the neck up). I've had DSL2000 and a DigitTech 21/20, what a waist of time and calf muscles.
 
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